Yamaha 01V96i Reference Manual 电路图.pdf

Reference Manual How to Use This Reference Manual The 01V96i Reference Manual (this document) allows you to search for terms and take advantage of links in the text. Searching for terms To search for a term, use the search function of the software you re using to view this document. If you re using Adobe Reader, enter the term in the search box and press the key of your computer keyboard to search for occurrences of that term. Displaying the next/previous view If you re using Adobe Reader, you can jump to the previous/ next view in your viewing history. This is a convenient way to jump back to the previous page after you ve used a link to jump to a different page. Using the Function Tree A function tree for the 01V96i is provided on page 4 and fol- lowing. You can use this to quickly find the explanatory page you want. Note: The latest version of Adobe Reader can be downloaded from the following URL. Note: If the Previous View / Next View buttons are not shown in the toolbar, you can hold down your computer keyboard s key and use the keys to jump to the previous or next view. For details on using other PDF-viewing software, refer to the owner s manual of the software you re using. RadioFans.CN 收音机爱 好者资料库 2Contents 01V96iReference Manual Contents How to Use This Reference Manual . 1 Contents of the Owners Manual (Booklet) . 3 Function Tree . 4 Control Surface and Variable (Aux Send levels are variable). GLOBAL The GLOBAL PRE and POST buttons enable you to set all Input Channels for the selected Aux to pre-fader or post-fader simultaneously. PRE POINT The PRE POINT PRE ON and POST ON buttons enable you to set the pre-fader channels to pre-on (before the ON button) or post-on (after the ON button). Setting Aux Send Levels39 01V96iReference Manual Aux Outs 3.Move the cursor to the FIXED or VARIABLE button in the MODE section for the cur- rently-selected Aux Send to select a mode. Fixed Mode In this mode, Aux Send levels are fixed at nominal (0.0 dB). Also, channel ON/OFF buttons appear instead of the Send level rotary controls and PRE/POST buttons. Variable Mode In this mode, Aux Send levels are variable and the signal source point can be either pre-fader or post-fader. Chan- nel Send level rotary controls and PRE/POST buttons appear on the screen. 4.If you switched to Fixed mode in Step 3, the ON/OFF buttons turn each Input Channel on or off for the currently-selected Aux Send. 5.If you switched to Variable mode in Step 3, the PRE/POST buttons and Send level rotary controls enable you to adjust the signal source points and Send levels. You can turn each Input Channel on or off for the cur- rently-selected Aux Send even in Variable mode. To do this, move the cursor to the desired Send level control, then press ENTER. (The rotary controls for Off chan- nels are grayed out.) Note: In Fixed mode, Aux Send ON/OFF buttons appear instead of the Aux Send rotary controls, PRE/POST buttons, GLOBAL PRE/POST buttons, and PRE POINT PRE ON/POST ON. These ON/OFF buttons turn on or off each Input Channel for the currently-selected Aux Send. Tip: You can select Variable or Fixed mode individually for each of the eight Aux. Note: In Fixed mode, all ON/OFF buttons are turned OFF. When you switch to Variable mode, the signal source points are set to post-fader (PRE/POST buttons are set to POST), and Send level rotary controls are reset to . Note: In Fixed mode, the Aux On/Off parameters for paired Input Channels are not linked to each other. Tip: In Variable mode, Aux Send levels, Aux On/Off, and Pre/Post parameters for paired Input Channels are linked to each other. GLOBAL PRE/POST buttons enable you to set all Input Channels simultaneously (including those not displayed on the current page) to pre-fader or post-fader. 40Aux Outs 01V96iReference Manual Viewing Aux Send Settings for Multiple Channels You can view and set parameters for all Aux Send 18, includ- ing setting levels and Pre/Post parameters. This is convenient when you wish to visually check all Aux Send settings or simultaneously adjust the levels of certain channels routed to Aux 18. 1.Press one of the FADER MODE AUX 1AUX 8 buttons repeatedly until the page listed below that contains the desired channels appears. View1-16 page This page displays the Aux Send levels of Input Channels 116. View17-STI page This page displays the Aux Send levels of Input Channels 1732 and ST IN Channels 14. These pages display the source Input channels and the corresponding Aux Sends in a matrix. The parameters on these two pages (and the procedure for setting them) are the same. 1DISPLAY Use the following buttons to display the desired parame- ters. LEVEL.Select the LEVEL button to display Send level bar graphs for Input Channels routed to Aux 18. PRE/POST.Select the PRE/POST button to dis- play signal source points for Input Channels routed to Aux 18. 2FIX/VARI These buttons indicate the Aux mode (Fixed or Variable) for Aux Out 18 and are only for display purposes. Note: Do not raise the level of the Aux Sends (patched to the effects processor) on the effects return channels. For example, by default, Aux 1 is routed to the input of the internal Effects processor 1, and L and R of ST IN Channel 1 are patched to the processor s output. Under these con- ditions, if you raise the level of the send signals from ST IN Channel 1 to Aux 1, the signals are returned to ST IN Channel 1, creating a signal loop and possibly damaging your speakers. 1 3 2 Panning Aux Sends41 01V96iReference Manual Aux Outs 3LEVEL This field displays in dB the level of the Aux Send cur- rently-selected by the cursor. 2.Move the cursor to either the DISPLAY LEVEL or PRE/POST button, then press ENTER to display the Level or Pre/Post parameters. 3.If you selected the PRE/POST button in Step 2, move the cursor to the desired Input Chan- nel and Aux intersection, then press the ENTER button to change the signal source point. 4.If you selected the LEVEL button in Step 2, move the cursor to the desired Input Channel and Aux intersection, then edit the Send level or turn the currently-selected AUX Send on or off. Rotate the Parameter wheel or press the INC/DEC buttons to set the Send level, then press the ENTER but- ton to turn the currently-selected Aux Send on or off. One of the following indicators appears, depending on the current Aux mode. Aux Sends in Fixed mode A “FIX” indicator appears for On Aux Sends, and a dot “.” appears for Off Aux Sends. Aux Sends in Variable mode The current Send levels are displayed by the bar graphs. If the level is set to nominal (0.0 dB), “N” appears in the bar. The bars for Aux Sends that are turned off are high- lighted. Panning Aux Sends You can pair adjacent odd-even (in this order) Aux Sends for stereo operation. This enables you to pan signals from Input Channels to paired Aux Sends. 1.Pair the desired two Aux Sends. (See page 33 for more information on pairing channels.) 2.Use the FADER MODE AUX 1AUX 8 but- tons to select one of the paired Aux Sends. 3.Repeatedly press the button you pressed in Step 2 to display the Aux | Pan page. 1Aux pan controls These controls adjust the pan setting of signals routed from Input Channels to paired Aux buses. 2MODE The MODE parameter determines how paired Input Channels are panned. 3INPUT PAN LINK When this parameter is turned on, Aux Sends follow the Input Channel Pan. 4.Move the cursor to the Aux pan control of the desired Input Channel, the rotate the Param- eter wheel to set the pan value. 5.If necessary, move the cursor to the MODE parameter box, then rotate the Parameter wheel to select INDIVIDUAL, GANG, or INV GANG, then press ENTER. If the INPUT PAN LINK ON/OFF button is turned off, this Mode setting is independent of the Mode parameter on the Pan page. (See page 22 for more information on Mode options.) Note: You can switch between Pre and Post only for Aux Sends that are set to Variable mode. The “FIX” indication appears for Aux Sends that are set to Fixed mode, and you cannot switch Pre/Post. 321 42Aux Outs 01V96iReference Manual 6.To link the Input Channel Pan setting with the Aux Send Pan setting, move the cursor to the INPUT PAN LINK ON/OFF button, then press ENTER. The pan positions on the Pan page are copied to the Aux pan setting, and the pan controls on both pages are linked. Copying Channel Fader Positions to Aux Sends While Aux Sends are in Variable mode, you can copy all Input Channel fader positions on one layer to the corresponding Aux Sends. This is convenient when you wish to send to the musicians monitor signals that have the same balance setting as the Ste- reo Out signals. 1.Press and hold down the copy source layer (LAYER 116 or 1732) button. 2.Press one of the FADER MODE AUX 1AUX 8 buttons to select the desired Aux Send copy destination. The confirmation window for the Copy operation appears. 3.To execute the Copy operation, move the cur- sor to the YES button, then press ENTER. To cancel the Copy operation, move the cursor to the NO button, then press ENTER. Tip: If paired Aux Sends are in Variable mode, the Aux Send levels, Aux On/Off, and Pre/Post parameters for paired Input Channels are linked to each other. If paired Aux Sends are in Fixed mode, the Aux On/Off parameters for paired Input Channels are not linked to each other. Note: If you release the button in the LAYER section before you proceed to Step 2, you will be unable to complete the Copy operation. Tip: If the copy destination Input Channel has been paired with a vertical partner in another Layer, the fader position will be copied to the partner s Aux Send. Input Values 127 delay-type effects and modulation-type effects. For delay-type effects, the delay time will change according to the tempo. For modulation-type effects, the frequency of the modulation signal will change according to the tempo. Parameters related to tempo synchronization The following five parameters are related to tempo syn- chronization. 1) SYNC 2) NOTE 3) TEMPO 4) DELAY 5) FREQ. SYNC: .This is the on/off switch for tempo synchronization. NOTE and TEMPO: .These are the basic parameters for tempo synchronization. DELAY and FREQ.: .DELAY is the delay time, and FREQ. is the frequency of the modulation signal. These directly affect the way in which the effect sound will change. DELAY is rele- vant only for delay-type effects, and FREQ. is relevant only for modulation-type effects. How the parameters are related Tempo synchronization uses TEMPO and NOTE to calcu- late a value that will be the basis for the tempo, and contin- ues making adjustments so that this tempo basis stays essentially the same as the DELAY (or FREQ.). This means that when TEMPO, NOTE, and DELAY (or FREQ.) are synchronized, and you change any of these values, the other parameters will be re-set in order to maintain the cor- rect relationship. The parameters that are re-set and the cal- culation method(*a) used are as follows. If you turn SYNC on NOTE will be set If you edit DELAY (or FREQ.) NOTE will be set In this case, the NOTE value is calculated as follows. NOTE = DELAY (or FREQ.)/(4 x (60/TEMPO) If you edit NOTE DELAY (or FREQ.) will be set In this case, the DELAY (or FREQ.) value is calculated as follows. DELAY (or FREQ.) = NOTE x 4 x (60/TEMPO) If you edit TEMPO DELAY (or FREQ.) will be set In this case, the DELAY (or FREQ.) value is calculated as follows. DELAY (or FREQ.) = original DELAY (or FREQ.) x (previous TEMPO/new TEMPO) Example 1: When SYNC=ON, DELAY=250 ms, TEMPO=120, you change NOTE from 8th note to quarter note DELAY= new NOTE x 4 x (60/TEMPO) = (1/4) x 4 x (60/120) = 0.5 (sec) = 500 ms Thus, the DELAY will change from 250 ms to 500 ms. Example 2: When SYNC=ON, DELAY=250 ms, NOTE=8th note, you change TEMPO from 120 to 121 DELAY= original DELAY x (previous TEMPO/ new TEMPO) = 250 x (120/121) = 247.9 (ms) Thus, the TEMPO will change from 250 ms to 247.9 ms. *a: Rounded values are used for the calculation results. Ranges of the NOTE and TEMPO values The ranges of the NOTE and TEMPO values are limited by the ranges of the DELAY or FREQ. values. You cannot set NOTE or TEMPO values that would cause DELAY or FREQ. to exceed their maximum possible values when syn- chronized to tempo. This limitation also applies even when SYNC is OFF. Special characteristics of the TEMPO parameter The TEMPO parameter has the following characteristics that are unlike other parameters. It is a common value shared by all effects You cannot stored it to or recall it from the Effects Library. (You can store it to and recall it from a Scene.) This means that the TEMPO value may not necessarily be the same when an effect is recalled as when that effect was stored. Here is an example. Store the effect: TEMPO=120 Change TEMPO to 60 Recall the effect: TEMPO=60 Normally when you change the TEMPO, the DELAY (or FREQ.) will be re-set accordingly. However if the DELAY (or FREQ.) were changed, the effect would sound differ- ently when recalled than when it was stored. To prevent the effect from changing in this way between store and recall, the 01V96i does not update the DELAY (or FREQ.) value when an effect is recalled, even if the TEMPO is no longer the same as when that effect was stored. * The NOTE parameter is calculated based on the following values. = 1/48 = 2/1 = 1/16= 1/24= 1/12 = 3/4= 3/16= 1/2 = 3/32= 1/6 = 1/4 = 1/8 = 1/1= 3/8 Preset EQ Parameters147 Appendix: Parameter Lists 01V96iReference Manual Preset EQ Parameters #Title Parameter LOWL-MIDH-MIDHIGH 01 Bass Drum 1 PEAKINGPEAKINGPEAKINGH.SHELF G+3.5 dB3.5 dB0.0 dB+4.0 dB F100 Hz265 Hz1.06 kHz5.30 kHz Q1.2100.9 02 Bass Drum 2 PEAKINGPEAKINGPEAKINGLPF G+8.0 dB7.0 dB+6.0 dBON F80 Hz400 Hz2.50 kHz12.5 kHz Q1.44.52.2 03 Snare Drum 1 PEAKINGPEAKINGPEAKINGH.SHELF G0.5 dB0.0 dB+3.0 dB+4.5 dB F132 Hz1.00 kHz3.15 kHz5.00 kHz Q1.24.50.11 04 Snare Drum 2 L.SHELFPEAKINGPEAKINGPEAKING G+1.5 dB8.5 dB+2.5 dB+4.0 dB F180 Hz335 Hz2.36 kHz4.00 kHz Q100.70.1 05Tom-tom 1 PEAKINGPEAKINGPEAKINGPEAKING G+2.0 dB7.5 dB+2.0 dB+1.0 dB F212 Hz670 Hz4.50 kHz6.30 kHz Q1.4101.20.28 06Cymbal L.SHELFPEAKINGPEAKINGH.SHELF G2.0 dB0.0 dB0.0 dB+3.0 dB F106 Hz425 Hz1.06 kHz13.2 kHz Q80.9 07High Hat L.SHELFPEAKINGPEAKINGH.SHELF G4.0 dB2.5 dB+1.0 dB+0.5 dB F95 Hz425 Hz2.80 kHz7.50 kHz Q0.51 08Percussion L.SHELFPEAKINGPEAKINGH.SHELF G4.5 dB0.0 dB+2.0 dB0.0 dB F100 Hz400 Hz2.80 kHz17.0 kHz Q4.50.56 09E. Bass 1 L.SHELFPEAKINGPEAKINGH.SHELF G7.5 dB+4.5 dB+2.5 dB0.0 dB F35.5 Hz112 Hz2.00 kHz4.00 kHz Q54.5 10E. Bass 2 PEAKINGPEAKINGPEAKINGH.SHELF G+3.0 dB0.0 dB+2.5 dB+0.5 dB F112 Hz112 Hz2.24 kHz4.00 kHz Q0.156.3 11Syn. Bass 1 PEAKINGPEAKINGPEAKINGH.SHELF G+3.5 dB+8.5 dB0.0 dB0.0 dB F85 Hz950 Hz4.00 kHz12.5 kHz Q0.184.5 12Syn. Bass 2 PEAKINGPEAKINGPEAKINGH.SHELF G+2.5 dB0.0 dB+1.5 dB0.0 dB F1