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    Marantz-SR6400-avr-sm 电路图 维修手册.pdf

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    Marantz-SR6400-avr-sm 电路图 维修手册.pdf

    SR5400 / SR6400 / PS5400 Part no. 27AW855010 First Issue 2003.06 ecm Please use this service manual with referring to the user guide ( D.F.U. ) without fail. Service Manual SR5400 / SR6400SR5400 / SR6400 TABLE OF CONTENTS SECTION PAGE 1. TECHNICAL SPECIFICATIONS. 1 2. TECHNICAL DESCRIPTION. 3 3. WIRING DIAGRAM. 5 4. BLOCK DIAGRAM. 7 5. SCHEMATIC DIAGRAM . 9 6. PARTS LOCATION . 31 7. IC DATA. 43 8. EXPLODED VIEW AND PARTS LIST . 55 9. POWER AMPLIFIER ADJUSTMENT. 59 10. SERVICE PROCEDURE. 60 11. SYSTEM ERROR. 60 12. ELECTRICAL PARTS LIST . 62 AV SURROUND RECEIVER SR6400 UP SELECTORVOLUME DOWN MEMORYTUNINGMODEF/PCLEAR S-DIRECTDISPLAY MUTE A/D6.1CH INPUTSPEAKERS A/B POWER ON/OFFPHONES ENTER STANDBY AUX INPUT S-VIDEOVIDEOLAUDIOR DSS/VCR2AUXVCR1DVDTVCDCD-RTAPETUNER ATTSELECT DISPAUTOTUNEDSTV OFFNIGHTPEAKANALOG DIGITAL ATT SLEEPSURRAUTODIRECTDISC 6.1MTX 6.1SPKR ABEQ DIGITAL SURROUND PCM LCR SLSSR LFE PS5400PS5400 AV Surround Receiver SR5400 /K1G/N1B/U1B /K1S/N1S/L1G SR6400 /K1G/K1S/U1B PS5400 /F1N AV Surround Amplifi er REMARK : 1. Refer to service manual (part no. 27AW855020) for the parts list of model SR5400/L1G. 2. Refer to service manual (part no. 28AW855010) for the parts list of model SR6400/K1G/K1S/U1B. RadioFans.CN 收音机爱 好者资料库 MARANTZ DESIGN AND SERVICE Using superior design and selected high grade components, MARANTZ company has created the ultimate in stereo sound. Only original MARANTZ parts can insure that your MARANTZ product will continue to perform to the specifi cations for which it is famous. Parts for your MARANTZ equipment are generally available to our National Marantz Subsidiary or Agent. ORDERING PARTS : Parts can be ordered either by mail or by Fax. In both cases, the correct part number has to be specifi ed. The following information must be supplied to eliminate delays in processing your order : 1. Complete address 2. Complete part numbers and quantities required 3. Description of parts 4. Model number for which part is required 5. Way of shipment 6. Signature : any order form or Fax. must be signed, otherwise such part order will be considered as null and void. SHOCK, FIRE HAZARD SERVICE TEST : CAUTION : After servicing this appliance and prior to returning to customer, measure the resistance between either primary AC cord connector pins ( with unit NOT connected to AC mains and its Power switch ON ), and the face or Front Panel of product and controls and chassis bottom. Any resistance measurement less than 1 Megohms should cause unit to be repaired or corrected before AC power is applied, and verifi ed before it is return to the user/customer. Ref. UL Standard No. 1492. In case of diffi culties, do not hesitate to contact the Technical Department at above mentioned address. 030307MIT SUPERSCOPE TECHNOLOGIES, INC. USA MARANTZ AMERICA, INC 1100 MAPLEWOOD DRIVE ITASCA, IL. 60143 USA PHONE : 630 - 741 - 0300 FAX : 630 - 741 - 0301 JAPANTechnical MARANTZ JAPAN, INC. 35- 1, 7- CHOME, SAGAMIONO SAGAMIHARA - SHI, KANAGAWA JAPAN 228-8505 PHONE : +81 42 748 1013 FAX : +81 42 741 9190 EUROPE / TRADING MARANTZ EUROPE B.V. P. O. BOX 8744, BUILDING SILVERPOINT BEEMDSTRAAT 11, 5653 MA EINDHOVEN THE NETHERLANDS PHONE : +31 - 40 - 2507844 FAX : +31 - 40 - 2507860 AUSTRALIA QualiFi Pty Ltd, 24 LIONEL ROAD, MT. WAVERLEY VIC 3149 AUSTRALIA PHONE : +61 - (0)3 - 9543 - 1522 FAX : +61 - (0)3 - 9543 - 3677 NEW ZEALAND WILDASH AUDIO SYSTEMS NZ 14 MALVERN ROAD MT ALBERT AUCKLAND NEW ZEALAND PHONE : +64 - 9 - 8451958 FAX : +64 - 9 - 8463554 THAILAND MRZ STANDARD CO., LTD 746 - 754 MAHACHAI ROAD., WANGBURAPAPIROM, PHRANAKORN, BANGKOK, 10200 THAILAND PHONE : +66 - 2 - 222 9181 FAX : +66 - 2 - 224 6795 TAIWAN PAI- YUING CO., LTD. 6 TH FL NO, 148 SUNG KIANG ROAD, TAIPEI, 10429, TAIWAN R.O.C. PHONE : +886 - 2 - 25221304 FAX : +886 - 2 - 25630415 MALAYSIA WO KEE HONG ELECTRONICS SDN. BHD. 2ND FLOOR BANGUNAN INFINITE CENTRE LOT 1, JALAN 13/6, 46200 PETALING JAYA SELANGOR DARUL EHSAN, MALAYSIA PHONE : +60 - 3 - 7954 8088 FAX : +60 - 3 - 7954 7088 AMERICAS MARANTZ PROFESSIONAL PRODUCTS 2640 WHITE OAK CIRCLE, SUITE A AURORA, ILLINOIS 60504 USA PHONE : 630 - 820 - 4800 FAX : 630 - 820 - 8103 KOREA MK ENTERPRISES LTD. ROOM 604/605, ELECTRO-OFFICETEL, 16-58, 3GA, HANGANG-RO, YONGSAN-KU, SEOUL KOREA PHONE : +822 - 3232 - 155 FAX : +822 - 3232 - 154 SINGAPORE WO KEE HONG DISTRIBUTION PTE LTD 130 JOO SENG ROAD #03-02 OLIVINE BUILDING SINGAPORE 368357 PHONE : +65 6858 5535 / +65 6381 8621 FAX : +65 6858 6078 HONG KONG Jolly ProAudio Broadcast Engineering Ltd. UNIT 2, 10F, WAH HUNG CENTRE, 41 HUNG TO ROAD, KWUN TONG, KLN., HONG KONG PHONE : 852 - 21913660 FAX : 852 - 21913990 CANADA LENBROOK INDUSTRIES LIMITED 633 GRANITE COURT, PICKERING, ONTARIO L1W 3K1 CANADA PHONE : 905 - 831 - 6333 FAX : 905 - 831 - 6936 TECHNICAL AUDIO GROUP PTY, LTD 43-53 Bridge Rd., STANMORE NSW 2048 AUSTRALIA PHONE : +61 - (0)2 - 9519 - 0900 FAX : +61 - (0)2 - 9519 - 0600 AUSTRALIA RadioFans.CN 收音机爱 好者资料库 1 1. TECHNICAL SPECIFICATIONS FM TUNER SECTION Frequency Range.87.5 - 108.0 MHz Usable Sensitivity .IHF 1.6 V/15.35 dBf Signal to Noise Ratio. Mono/Stereo 73/64 dB Distortion.Mono/Stereo 0.6/0.7 % Stereo Separation.1 kHz 33 dB Alternate Channel Selectivity. 300 kHz 60 dB Image Rejection.98 MHz 70 dB Tuner Output Level . 1 kHz, 75 kHz Dev 850 mV AM TUNER SECTION Frequency Range.531 - 1602 kHz /K/N/L . 520 - 1710 kHz U Signal to Noise Ratio.41 dB Usable Sensitivity.Loop 560V Distortion.1 kHz, 30 % Mod. 1.0 % Selectivity. 10 kHz 25 dB AUDIO SECTION SR5400/PS5400 Power Output (20 Hz - 20 kHz/THD=0.08%) Front L 3 The advantages of discrete multichannel systems over matrix are well known. But even in homes equipped for discrete multichannel, there remains a need for high-quality matrix decoding. This is because of the large library of matrix surround motion pictures available on disc and on VHS tape; and analog television broadcasts. The typical matrix decoder of today derives a center channel and a mono surround channel from two-channel matrix stereo material. It is better than a simple matrix in that it includes steering logic to improve separation, but because of its mono, band-limited surround it can be disappointing to users accustomed to discrete multichan- nel. Neo 6 offers several important improvements as follow, . Neo 6 provides up to six full-band channels of matrix decoding from stereo matrix material. Users with 6.1 and 5.1 systems will derive six and five separate channels, respectively, corresponding to the standard home-theater speaker layouts. . Neo 6 technology allows various sound elements within a channel or channels to be steered separately, and in a way which follows naturally from the original presentation. . Neo 6 offers a music mode to expand stereo nonmatrix recordings into the five- or six-channel layout, in a way which does not diminish the subtlety and integrity of the original stereo recording. DTS-ES Extended Surround is a new multi-channel digital signal format developed by Digital Theater Systems Inc. While offering high compatibility with the conventional DTS Digital Surround format, DTSES Extended Surround greatly improves the 360-degree sur- round impression and space expression thanks to further expanded surround signals. This format has been used professionally in movie theaters since 1999. In addition to the 5.1 surround channels (FL, FR, C, SL, SR and LFE), DTS-ES Extended Surround also offers the SB (Surround Back) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with differ- ent surround signal recording methods, as DTS-ES Discrete 6.1 and DTSES Matrix 6.1. “DTS”, “DTS-ES Extended Surround” and “Neo:6” are trademarks of Digital Theater Systems, Inc. The stereo CD is a 16-bit medium with sampling at 44.1 kHz. Pro- fessional audio has been 20- or 24-bit for some time, and there is increasing interest in higher sampling rates both for recording and for delivery into the home. Greater bit depths provide extended dynamic range. Higher sampling rates allow wider frequency response and the use of anti-alias and reconstruction filters with more favorable aural characteristics. DTS 96/24 allows for 5.1channel sound tracks to be encoded at a rate of 96kHz/24bits on DVD-Video titles. When DVD-video appeared, it became possible to deliver 24-bit, 96 kHz audio into the home, but only in two channels, and with serious limitations on picture. This capability has had little use. DVD-audio allows 96/24 in six channels, but a new player is needed, and only analog outputs are provided, necessitating the use of the D/A converters and analog electronics provided in the player. DTS 96/24 offers the following: 1.Sound quality transparent to the original 96/24 master. 2.Full backward compatibility with all existing decoders. (Existing decoders will output a 48 kHz signal) 3.No new player required: DTS 96/24 can be carried on DVD-video, or in the video zone of DVD-audio, accessible to all DVD players. 4.96/24 5.1-channel sound with full-quality full-motion video, for music programs and motion picture soundtracks on DVD-video. 2. TECHNICAL DESCRIPTION Dolby Digital identifies the use of Dolby Digital audio coding for such consumer formats as DVD and DTV. As with film sound, Dolby Digital can provide up to five full-range channels for left, center, and right screen channels, independent left and right surround channels, and a sixth ( “.1”) channel for low-frequency effects. Dolby Surround Pro Logic II is an improved matrix decoding tech- nology that provides better spatiality and directionality on Dolby Sur- round program material; provides a convincing three-dimensional soundfield on conventional stereo music recordings; and is ideally suited to bring the surround experience to automotive sound. While conventional surround programming is fully compatible with Dolby Surround Pro Logic II decoders, soundtracks will be able to be encoded specifically to take full advantage of Pro Logic II playback, including separate left and right surround channels. (Such material is also compatible with conventional Pro Logic decoders.) Dolby Digital EX creates six full-bandwidth output channels from 5.1- channel sources. This is done using a matrix decoder that derives three surround channels from the two in the original record- ing. For best results, Dolby Digital EX should be used with movies soundtracks recorded with Dolby Digital Surround EX. Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laborato- ries. Circle Surround II (CS-II) is a powerful and versatile multi channel technology. CS-II is designed to enable up to 6.1 multi channel sur- round sound playback from mono, stereo, CS encoded sources and other matrix encoded sources. In all cases the decoder extends it into 6 channels of surround audio and a LFE/subwoofer signal. The CS-II decoder creates a listening environment that places the listener “inside” music performances and dramatically improves both hi-fi audio conventional surround-encoded video material. CS-II provides composite stereo rear channels to greatly improve separa- tion and image positioning adding a heightened sense of realism to both audio and A/V productions. CS-II is packed with other useful feature like dialog clarity (SRS Dialog) for movies and cinema-like bass enrichment (TruBass). CS-II can enable the dialog to become clearer and more discern- able in movies and it enables the bass frequencies contained in the original programming to more closely achieve low frequencies overcoming the low frequency limitations of the speakers by full octave. Circle Surround II, Dialog Clarity, TruBass, SRS and symbol are trademarks of SRS Labs, Inc. SRS Circle Surround II, SRS Dialog and SRS TruBass technology are incorporated under license from SRS Labs, Inc. 4 Note : 56 3. WIRING DIAGRAM 7.92 mm 7.92 mm 2.5 mm 3.96 mm 7.92 mm BN68-1 : FL BN68-2 : SL BN68-3 : RL BN68-4 : SR BN68-5 : C BN68-6 : SB SR6400 only PS5400 onlySR5400/6400 only CN41 BN21 CN12 CN37 2.5 mm 2.5 mm 2.5 mm 2.5 mm 87 4. BLOCK DIAGRAM SR5400/6400 only PS5400 only SR5400/6400 only SR6400 only 910 INPUT PCB -3/4 INPUT PCB -2/4 5. SCHEMATIC DIAGRAM INPUT PCB -1/4 1211 INPUT PCB -1/4 INPUT PCB -1/4 PS5400 only SR5400/6400 only INPUT PCB -2/4 1314 INPUT PCB -1/4 INPUT PCB -4/4 INPUT PCB -3/4 1615 INPUT PCB 3/4 INPUT PCB -4/4 DSP PCB -1/2 INPUT INPUT DSP PCB -1/2 1718 DSP PCB -1/2 TO CNT DSP PCB -2/2 2019 VIDEO PCB 2122 BN14 BN17BN88BN92 BN11 BN12 ENCODER PCB FRONT PCB H/P PCB PUSH S/W PCB INLET PCB 2423 CN73 TO INPUT BD TO POWER BD TO POWER BD TO POWER BD AMP PCB -2/2 AMP PCB -2/2 AMP PCB -1/2 2526 AMP PCB -1/2 AMP PCB -1/2 TO INPUT BD BN41 TO VIDEO BD COMPONET PCB ST-BY PCB FROM MAINS CORD RS232C PCB SR6400 only AMP PCB -2/2 2827 TO AMP BD FROM AMP BD FROM MAIN TRANS FROM MAIN TRANS FROM FRONT BD FROM AMP BD FROM / TO ST-BY BD FROM / TO POWER BD FROM H/P BD FROM INPUT BD POWER PCB 2930 INPUT BD CN36 CN38 CN26 N only CN37 17P CN34 15P INPUT BD DSP PCB -2/2 3231 6. PARTS LOCATION DSP A IC11 IC12 IC101 - IC103 IC14 IC15QC12 QC11IC23IC24 IC25 IC13IC17 IC18IC19

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