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1. Introduction: JBL Professional introduced the Differential Driveconcept in the EON System in 1995 as a means of attaining maximum system perform- ance with minimum weight. Compared with tra- dition
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Technical Notes Volume 3, Number 2: JBLs New LSR Mid-Field Monitors 1. Introduction and Basic System Description: As the digital recording community con- templates higher sampling rates and greater re
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1 Technical Notes Volume 1, Number 35 CBT Constant Beamwidth TechnologyTM Introduction Column loudspeakers have become an important form factor for loudspeake
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1 Technical Notes Volume 1, Number 30 Cone Midrange Compression Drivers (CMCD) Introduction: Throughout the history of professional audio it has been realized there are distinct performance advan- tag
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Introduction: JBL/UREIs dual channel amplifiers answer a long standing need for reliable, cost effective designs. They are intended for all applications involving JBL transduc- ers and loudspeaker sys
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Technical Notes Vol. 2 , No. 1A 1/3 Octave Equalization and The JBL/UREI 5547A and 5549A Introduction: The use of one-third octave graphic equalizers in the audio world has expanded rapidly in the las
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1 Technical Notes Volume 3, Number 3: JBL Professional Studio Monitors for Multichannel Sound Applications 1. Introduction: Mixing for multichannel sound has become a very important aspect of audio po
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1 Technical Notes Volume 1, Number 28 Forward Steered Arrays in Precision Directivity Speaker Systems Introduction Effective high-powered low-frequency systems are a desired feature of many sound rein
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Technical Notes Vol. 2, No. 3 Applications for the JBL/UREI 7922 Digital Audio Delay Introduction: Digital Delay devices have been around since the mid 1970s. Initially, their high cost and limited ca
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Technical Note Volume 3, Number 1 The Evolution of JBLs Large Format Monitor Loudspeaker Introduction: Modern recording technology is presently driven by continuing improvements in digital signal proc
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Technical Note Volume 3, Number 2A The New JBL LSR6300 Series Studio Monitors 1. Introduction: In earlier days, studio monitor loudspeakers were designed for flat on-axis response, with secondary conc
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Performance Parameters of JBL Low-Frequency Systems Introduction This technical note will enable sound contractors and consultants to specify JBL LF enclo sures, transducers and packaged systems to fi
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A. Introduction: JBLs low frequency (LF) transducers tall into three major categories, based on their relative efficiencies. Those models in the lowest efficiency category exhibit high linearity and a
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Technical Notes Vol. 1, No. 4 Constant Directivity Horns L Introduction: In the last three years, constant directivity horns have virtually replaced the older radial and multi-cellular types in large-
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Technical Notes Volume 1, Number 7 In-line Stacked Arrays of Flat-front Bi-Radial Horns Introduction: Where excellent vertical pattern control in the 500 Hz range is desired, system designers will usu
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Technical Notes Vol. 1, No. 2 70-Volt Distribution Systems Using JBL Industrial Series Loudspeakers Theory of Line Distribution Systems In a typical paging, background music, or noise-masking system,
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Technical Notes Volume 1, Number 3 Choosing JBL Low-Frequency Transducers A. INTRODUCTION When JBL converted its low-frequency transducers from Alnico-V magnets to SFG ferrite structures in 1978, we t
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Technical Notes Vof. 1, No. 5 Introduction: In order to facilitate the specification of JBL systems exhibiting flat power response, all JBL passive dividing networks have been redesigned to include HF
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Technical Note Vol. 1, No. 10 Use Of The 46120K, 4671 OK, And 4660 Systems in Fixed instaiiation Sound Reinforcement Introduction: For many small and medium scale sound reinforcement applications, pre
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T e c h n i c a l N o t e s V o l u m e 1 , N u m b e r 6 JBL High-frequency Directional Data in Isobar Form 1. Introduction: This Technical Note presents directional data on JBLs high-frequency horns
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