Innovason sy48-manuel-pdf-472394电路图.pdf

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1、Sensoft 8.1 full Sensoft 9 installation (Sensoft 9 Addendum updates sections 3 and 4 of this user guide) User Guide InnovaSON ZC du Kenyah 56400 Plougoumelen France April 2005 RadioFans.CN 收音机爱 好者资料库 RadioFans.CN 收音机爱 好者资料库 Headquarters Zone du Kenyah F-56400 Plougoumelen FRANCE tel : +33 (0) 297 24

2、.34.34 fax : +33 (0) 297 24.34.30 RadioFans.CN 收音机爱 好者资料库 TABLE OF CONTENTS 1 User Guide - InnovaSON February 2005 Attention: veuillez consulter le chapitre 10 avant toute manutention ou utilisation de la console. Warning: please read carefully section 10 before handling or using the console. Achtun

3、g: bitte lesen sie zuerst Kapitell 10 for jedem Verladen oder Verwendung des Pultes. Table of Contents 1Digital mixing in Live sound1.1 1.A Sensoft 8.1 :a brief history 1.1 1.BFader assignment 1.2 1.CThe assignable functions 1.3 1.DSpread zones 1.4 2 THE Sy48 CONSOLE2.1 2.A Sy48 : Overview of the pr

4、oduct 2.1 2.BPersonalization, options 2.3 2.B.1 L.E.M : Optional External Mix Box 2.3 2.CDescription of the Sy48 2.6 2.C.1 Dimensions and general information 2.6 2.C.2 The Quadfad module 2.8 2.C.3 The CHANNEL CONTROL panel 2.8 2.C.4 Screen and UTILITIES panel 2.8 2.C.5 On the front of the console 2.

5、9 2.C.6 On the back of the console 2.9 2.C.7 Control layout 2.10 2.DPrecautionary measures, safety and warnings 2.12 2.E Manipulation and transport 2.13 2.FPower supplies and EC standards 2.13 2.GConnections 2.13 2.G.1 Audio connections 2.13 2.G.2 Internal Screen, external Screen 2.14 2.G.3 Connecti

6、ng MIDI equipment 2.14 2.G.4 Connection of an external power supply 2.14 2.G.5 Connecting an external PC 2.14 2.G.6 Connecting an optional Stage-Box 2.15 2.G.7 Digital audio clock sync with external devices 2.17 2.G.8 Connecting headphones 2.18 2.HPowering up 2.19 2.H.1 Power up sequence 2.19 2.H.2

7、First checks 2.21 3 Sensoft 8.1 3.1 3.A Your first mix : a simple step-by step example 3.1 3.A.1 Console configuration 3.2 3.A.2 Patching. 3.4 3.A.3 Some routing 3.6 3.A.4 Creating and using a subgroup 3.8 3.A.5 Spreading inouts 3.11 3.A.6 Creating and using a VCA 3.13 3.A.7 Spreading a Master 3.14

8、3.A.8 Spreading an Aux 3.17 3.A.9 Creating a matrix 3.18 4 Digital mixing in Live Sound 4.1 4.A Basic principle of the control surface 4.1 4.A.1 Control surface layout 4.1 4.A.2 Fader configuration : The Hardware Configuration window 4.2 4.B Audio inputs 4.3 4.B.1 General characteristics 4.3 4.B.2 L

9、ayout of physical inputs 4.3 4.B.3 Universal analog inputs 4.4 4.B.4 Analog line inputs 4.4 4.B.5 Distant inputs (Stage Box) 4.5 4.CInput signal path 4.6 4.C.1 XFAD : the principles 4.6 4.C.2 Preamp to fader assignment grid (PATCH IN) 4.10 4.C.3 Pre-amp settings (Gain, 48V) 4.15 4.C.4 Delay 4.16 4.C

10、.5 Phase inversion and the high-pass filter 4.17 4.C.6 Dynamics 4.18 4.C.7 Equalizer 4.21 4.C.8 Inserting an external device 4.22 4.C.9 MUTE and CUE functions 4.25 4.D Mix busses 4.27 4.D.1 DSP resources: some important points 4.27 4.D.2 Spreading the outputs 4.28 4.D.3 Assignment of mix busses to p

11、hysical outputs (Patch OUT) 4.32 4.D.4 Basic principles of routing 4.37 4.D.5 Definition pre/post fader and Pan settings on busses 4.41 4.D.6 A special bus : the Matrix 4.47 4.D.7 The Monitor bus 4.49 4.D.8 Master busses 4.58 4.D.9 Bus processing and inserts 4.58 4.D.10 Hyperdrive outputs processing

12、 control 4.59 4.D.11 Principles of fader functions, Fader Mode 4.60 4.D.12 MUTE and CUE functions 4.62 4.E The MUXIPAIRE bus, the Direct I/O grid 4.63 4.E.1 The Direct I/O grid 4.64 4.FThe VCA function 4.65 4.F.1VCA function logic4.65 4.F.2 VCA Assignment 4.66 4.G Talk-Back 4.66 Section Page 2 TABLE

13、 OF CONTENTS User Guide - InnovaSON - February 2005 5 Structure of a performance 5.1 5.A General description 5.1 5.BFiles and pages management 5.1 5.B.1 File edition 5.1 5.B.2 Changing a file 5.4 5.B.3 Saving a file 5.4 5.B.4 Exporting, Importing, deleting a file 5.5 5.CPages management 5.6 5.C.1 Sa

14、ving a page 5.6 5.C.2 LOAD and GOTO a page 5.6 5.C.3 Inserting a page 5.7 5.DNavigating in a file 5.8 5.E Automation (sequencing , calling up pages) 5.9 5.E.1 Generalities 5.9 5.E.2 MIDI Program Change OUT 5.9 5.E.3 MIDI Program Change IN 5.11 5.E.4 MIDI Time Code Automation 5.12 5.E.5 Cross-Fade 5.

15、14 5.E.6 The Cross-Time Fader 5.16 6 Advanced Functions 6.1 6.A Generator and oscillator 6.1 6.BFLAT function for resetting parameters 6.1 6.CCopy and Paste 6.2 6.DOverRam - Updating pages in RAM 6.3 6.E Relax Mode - disconnecting parameters from the automation 6.5 6.FLink I/O - Input/ Output parame

16、ter links 6.6 6.F.1 What are I/O parameters ? 6.6 6.F.2 The link I/O grid 6.6 6.GLink Channel channel parameter links 6.7 6.G.1 What are the channel parameters ? 6.7 6.G.2 The channel link grid 6.8 6.HTemporary cancellation of a link 6.9 6.IMUXI window display and modification of outputs 6.10 6.JOff

17、 Line disconnecting the console from the audio racks 6.11 6.KProcessing libraries 6.12 6.K.1 The BANK Menu and general operation 6.12 6.K.2 Save and load shortcuts 6.13 6.LRequest Mode (RQST) 6.13 6.MThe ADJ function automatic adjustment of preamps 6.15 6.NSending MIDI messages using the MUTE button

18、s 6.16 6.OSending Fader Start MIDI messages 6.17 6.PLOCK Password Protection for the console 6.18 6.QThe General Preferences window 6.20 7 Sensoft Offline 7.1 7.A General operation of the mouse and keyboard 7.1 7.BDetailed operation and access to the various windows 7.2 7.B.1 The HARDWARE CONFIGURAT

19、ION window 7.2 7.B.2 The PATCH IN grid window 7.3 7.B.3 The PATCH OUT grid window 7.5 7.B.4 The DIRECT I/O and Insert Grid window 7.6 7.B.5 The LINK CHANNEL window 7.7 7.B.6 The LINK I/O window 7.8 7.B.7 The RELAX, FADER-START and MUTE MIDI MESSAGE windows 7.9 7.B.8 The PAN window 7.10 7.B.9 The PAS

20、TE and OVERRAM windows 7.11 7.B.10 The MUXI window 7.13 7.B.11 The main MIX window 7.14 7.CSummary of function access 7.16 8 INSTALLING AND CONFIGURING SENSOFT 9 8.1 8.ADownloading and preparing the installation 8.1 8.BInstalling SENSOFT 8.2 8.B.1Re-installation, new version8.2 8.B.2Updating, new re

21、lease 8.4 8.B.3Installing the Windows XPE operating system 8.5 8.CConfiguration 8.8 8.DImporting files created with earlier versions of Sensoft 8.10 8.D.1 Grand Live files8.10 8.D.2 Sy40 files 8.10 8.EFirmware update for DSP Sy48 and DSP Sy80 8.11 8.E.1Launching the DSP Loader software8.12 8.FInstal

22、ling Sensoft on an external PC 8.16 9 Design Features 9.1 9.A Introduction 9.1 9.BAudio rack and modules 9.2 9.B.1 SI-8D Module 9.3 9.B.2 SI-8D3 Module 9.4 9.B.3 MO-8D3 Module 9.5 9.B.4 XO-8D2 Module 9.6 9.B.5 DI-8S Module 9.7 9.B.6 DI-8Src Module 9.8 9.B.7 DO-8A Module 9.9 9.B.8 DO-8X Module 9.10 9

23、.B.8B DO-8XES Module 9.10B 9.B.9 DSP Sy80 Module 9.11 9.B.10 DSP Sy40-8 Module 9.12 9.B.11 DM-Mk9 Module 9.13 9.B.12 MC-64 Module 9.14 9.B.13 SC-64 Module 9.15 9.B.14 SC-643tx Module 9.16 9.B.15 Sync-A Module 9.17 9.CSystem Configuration and installation 9.18 9.C.1 Use of Stage Box general rule 9.18

24、 9.C.2 Modules installation and racks configuration 9.20 9.C.3 MASTERconsole definition 9.20 9.C.4 Powering-up 9.21 9.DTransmission on coaxial cable 9.22 9.D.1 BNC connections 9.22 9.D.2 Earth and perturbations 9.23 9.D.3 Transmission defaults and adjustments 9.23 Section Page TABLE OF CONTENTS 3 Us

25、er Guide - InnovaSON February 2005 9.E Appendices 9.24 9.E.1 Audio rack general Characteristics 9.24 9.E.2 Audio specifications 9.24 9.E.3 Signal path 9.26 9.E.4 EtherSound applications 9.27 10 Scurit . Safety . Wichtige. 10.1 10.A Prcautions, scurit, avertissements. Important messages - Wichtige Hi

26、nweise. 10.1 10.A.1 Symboles - Symbols - Symbole 10.1 10.A.2 Dangers Warning Achtung 10.2 10.A.3 Avertissements Cautions - Vorschit 10.2 10.A.4 Remarques sur lutilisation - Operating notes Hinweise zum Betrieb 10.3 INTRODUCTION 1-1 User Guide - InnovaSON - January 2004 1 DIGITAL MIXING IN LIVE SOUND

27、 1.A Sensoft 8.1: a brief history Several years have passed since InnovaSON introduced the first digital system designed to meet the needs of LIVE SOUND production: artists on-stage, impatient producers (tight budgets), live sound quality identical to studio recordings, complex productions, etc. LIV

28、E, for InnovaSON, is a “keyword” reflected in the products; products that are reliable, sturdy, and capable of working without a problem, show after show. Thought was not only given to limit size and excess weight (as freight in a lorry, car or plane), but also to speed up the installation, and espe

29、cially to “free the spirit of the sound engineer”, an essential condition in the creation of quality live performances. Thanks to the success of the MUXIPAIRE system, InnovaSON was in touch with numerous users, who all wished for a digital mixing desk that would, at last, satisfy all their requireme

30、nts for live shows in the 21st century: Total memory of the functions necessary for complete audio signal processing Immediate reminder of the state of the whole console Simple to use in spite of sophisticated automation Sound quality without compromise All the advantages of a completely computerise

31、d digital system These are the essentials that InnovaSON settled on throughout the design of its range of digital consoles. Designed from standard elements in InnovaSONs modular (or custom) digital audio systems, InnovaSON consoles now benefit from the field experience gained from those previous pro

32、ducts. All the team at InnovaSON sincerely thank all those who brought another small stone to the structure, by their suggestions, particular requirements, or sensible comments. Although completely digital, InnovaSON consoles will not upset a user brought up on classic analogue systems; on the contr

33、ary, their original three-part concept (mixing desk, local and distant audio system racks), brings more flexibility and quality, without compromise. Our greatest satisfaction will be to learn that each user has found, in Live Sound, a work tool perfectly adapted to their needs. 1-2 INTRODUCTION User

34、 Guide - InnovaSON - January 2004 1.B Fader assignment Sensoft 8.1 brings something new to the world of Live Sound you define the number and position of all the functions necessary for your mix. Naturally this number is determined, on one hand, by the number of faders on your control surface and, on

35、 the other hand, by the available DSP resources in your system. The figure below gives the maximum number of resources that Sensoft 8.1 can handle on various InnovaSON consoles. Resources available on InnovaSON consoles Console Faders DSP module Mix busses Input channels Monitor circuits Sy40 47+1 D

36、SP Sy40-8 26 48 3 Sensory Live (Upgrade Sy80) 71+1 DSP Sy80 48 = 32+16 80 3 Sy80 80 DSP Sy80 48 = 32+16 80 3 Sensory Live (for the record) 71+1 DMMk-9 23 48 1 Console faders can handle inputs coming from distant and local audio racks, as well as controlling the busses necessary for the different mix

37、es required for these inputs. INTRODUCTION 1-3 User Guide - InnovaSON - January 2004 1.C The assignable functions Each of the console faders can handle the following functions: 1-4 INTRODUCTION User Guide - InnovaSON - January 2004 Each of the console faders can handle the following functions: The n

38、umber of faders available in this grid corresponds to that available on the console (shown here is the Sy80). The Grid functions in the same way for any console as long as it supports Sensoft 8.1. Later on in this manual we will show you how to access and use the configuration grid. To give you the

39、time to fully understand and master this feature, preset configurations allow you to quickly set the parameters of your console. Having first inserted the floppy disk “Examples”, use the Import function to load these standard configurations. 1.D Spread zones Lets take a few moments to consider the c

40、oncept used by InnovaSON to exploit more physical inputs and mix busses than there are faders on the console, without having to resort to a system of layers. As you saw previously, InnovaSON designs consoles dedicated to, among other situations, live applications. It was therefore important to estab

41、lish a design that took note of the following points: A console with a size and weight lower than its analogue counterpart Retention of the user-friendliness inherent in software previous to Sensoft 8.1 To always have a global view of the general state of the console on the monitor screen To have to

42、 hand the maximum number of controls, for fast and effective user reaction This last point made InnovaSON decide to implement the XFAD function in the development of Sensoft 8.1. Whether for the management of inputs or the management of busses, the general principle is the same: a full channel can c

43、ontrol a single physical I/O or of a set of physical I/O. In the latter case, the channel can be compared to a “fader bank”, because every time it is selected, it spreads out all the channels it controls, in a zone defined by the user. INTRODUCTION 1-5 User Guide - InnovaSON - January 2004 The princ

44、iple of spread channels The figure above shows an example of 8 “banks”, each spreading 16 XFADinputs. A swift calculation shows that, in theory, you could control 8 x 16 = 128 inputs with only 8 + 16 = 24 faders.what a dream! One of the major points of Sensoft 8.1 is that the number of “banks, and t

45、heir arrangement as well as the number of channels spread by the banks, is defined by the user. Each user can effectively draw the console according to their own needs. The channels associated with one, or a group of, physical inputs The spread zone as defined by the user, made up from as many XFAD

46、as neccessary In the same way, Aux, Group or Master channels can spread their L, R, C and M busses if necessary, in this case you can compare them to “Bus Banks” THESy48 CONSOLE 2-1 User guide - InnovaSON - January 2005 2 THE Sy48 CONSOLE 2.A Sy48 : Overview of the product The Sy48 console is a sing

47、le block, all in one system, with the local Mix Box and the control surface within the same frame. The Mix Box provides 6 slots for housing modules of 8 inputs or 8 outputs (analog, digital AES or Ethersound). Its modular structure lets you configure the inputs and outputs according to your needs. H

48、ence, when used by itself, it can be equipped as shown below, with 32 mic/line inputs, 16 line inputs, 16 analog outputs with processing, and 16 line outputs. The platform features everything you expect from a digital mixing console in a particularly compact frame weighing less than 40 kg, including

49、 : 48 motorized and assignable faders with immediate access to the main parameters (selection, monitoring and mute) 48 LED bar-graphs for immediate metering of input or output signals A section for adjusting all the parameters of the current selected channel A section for managing memories A collapsible 12 screen for