HK_matrix_100_amplifier电路图.pdf
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1、Service Documents Confidential, for authorized service technicians only! Do not disclose this information to or share these documents with third parties. Vertraulich! Nur fr autorisierte Servicetechniker! Nicht zur Weitergabe an Dritte freigegeben! TECHNICAL SERVICE: Stamer Musikanlagen GmbH Magdebu
2、rger Str. 8 66606 St.Wendel Germany Music ensure your rigs impedance never drops below 4 ohms! If you plug cabs into both jacks, each cabinets impedance must be 8 ohms or higher. If you plug a cab into just one jack, its impedance must be 4 ohms or higher. 1.5 Headphones out Connect standard stereo
3、headphones to jack 26, HEADPHONES. Adjust the volume via the MASTER knob. Always plug in a stereo 1/4 jack when connecting headphones. The headphones output may be damaged if you insert a mono plug into the jack. The MATRIX speaker output is deactivated when a plug is inserted into this jack. 242526
4、2728293031 91020191817161514 1 121123222113 2345678 MATRIX100/120 Combo Rear MATRIX100 Head Rear 32 MATRIX100/120 Combo/Head Front 9 matrix_bda1_2.indd 927.09.2005 13:56:21 RadioFans.CN 收音机爱 好者资料库 MATRIX Manual 1.6 LINE OUT Use jack 27, LINE OUT, (mono 1/4 jack) to patch out the amps signal, includi
5、ng all effects, to another power amp or a DI box (for example, the Hughes connect an effect devices input to jack 30, FX SEND. The effects loop is a serial circuit, so adjust the effect amount (or wet-to-dry balance) at the effect device. The entire preamp signal is routed through the inserted effec
6、tor and processed there. Please note that your rigs sound quality depends to a considerable extent on the quality of the employed effect device. A poor-quality signal processor can have an adverse effect on the MATRIXs sound quality. Use high-quality patch cords only to prevent signal loss, backgrou
7、nd noise and drop-outs. Ensure that the effect device is not being overdriven. Be sure to keep an eye on whatever type of level meter, gain indicator or overload lamp the effects device is equipped with, and adjust its input and output controls accordingly. Fuzz boxes, overdrives and distortion unit
8、s dont belong in an FX loop. Plug them into the amps input. 1.9 FOOTSWITCH Your MATRIX comes with a four-way footswitch that plugs into jack 31. The buttons on the footswitch correspond to buttons 1 to 4 on the MATRIXs front panel. When the footswitch is plugged into the amp, buttons 1 to 4 serve di
9、splay purposes only, and the footswitch switches channels. 1.10 FX ON/OFF Especially for live performances, the MATRIX enables you to turn the internal effects on and off individually, in addition to the 4 switchable channels. To do this, you need to connect a footswitch to the stereo 32 FX ON/OFF j
10、ack. Using a simple footswitch (such as the Hughes back it off a bit for humbuckers. 2.2.2 CRUNCH VOL Controls the CRUNCH channels level; use it to determine the balance between it and the other channels. 2.3 LEAD Yields hard-hitting, snarling British rock tone. 2.3.1 LEAD/WARP GAIN Controls the LEA
11、D and WARP channels input sensitivity and thus the amount of saturation, with distortion option ranges from creamy smooth to British grit and chunky NuMetal thunder. 2.3.2 LEAD Vol Controls the LEAD channels level; use it to determine the balance between it and the other channels. 2.4 WARP Beware! T
12、he MATRIXs heart of darkness, this channel offers fi erce high-gain sounds of a fl avor favored by popular NuMetal bands. This brand of distortion is best described as an angry roar. Depending on this channels settings, you can dial monster NuMetal tone, grinding post-grunge and alternative sounds,
13、and thunderous death and Gothic metal noise. 2.4.1 WARP VOL Controls the WARP channels level; use it to determine the balance between it and the other channels. 2.5 CRUNCH, LEAD, WARP Voicing Section For handling ease, the MATRIXs three overdrive channels share common voicing controls. However, behi
14、nd these tone controls are three different EQ circuits that are automatically switched along with the channel. This is why an EQ setting that you have dialed in for the LEAD channel works so well with the CRUNCH and WARP channels. 3 The MATRIXs Effects The MATRIX features three independent effects -
15、 modulation, DELAY and REVERB. All three effect models may be used simultaneously and adjusted independently. The MATRIX FX automatically stores settings for each channel. 3.1 MOD FX The MATRIX puts at your disposal the three most sought-after modulation effects: A CHORUS, FLANGER and TREMOLO are al
16、l assigned to one knob. CHORUS is assigned to the fi rst third of the knobs control range, FLANGER to the second, and TREMOLO to the fi nal third. You can sweep the knob within each third to adjust the effects characteristics. We staked out the parameters so that you can swiftly and easily dial in s
17、ettings that elicit good-sounding, useful variations of the desired effect. To switch off modulation effects, simply twist the knob to the far left. Twisting the knob clockwise adjust the modulation effects rate. Modulation depth is adjusted automatically according to the rate setting so that every
18、knob position yields a hip effect sound offering real-world utility. 3.1.1 CHORUS Low CHORUS settings yield a slow throb for thick, underwater sounds that work great with ballads. Courtesy of automatic effect depth adjustment, higher CHORUS settings do not evoke that dreaded “seasick” tone. 3.1.2 FL
19、ANGER Slow FLANGER settings yield a stately sweeping whoosh effect, while faster settings give you swirly effects often heard in contemporary rock and pop tunes. 3.1.3 TREMOLO Though the classic TREMOLO effect is great for recreating the sounds of 60s, it also serves up some hip effects that work wo
20、nders for contemporary tunes. 3.2 DELAY DELAY is controlled via two knobs: TIME is an infi nitely variable knob that sweeps smoothly to the next repetition from 80 ms to 1400 ms. Feedback is adjusted accordingly and automatically. Short DELAYs with minimal feedback conjure great slap-back rockabilly
21、 sounds, while medium-length DELAYs are perfect for U2-style jangle. Long DELAY times let you come up with cascading, Queen-style licks. The VOLUME knob determines the level of repetitions, with a control range sweeping from off to as loud as the original signal. 3.3 REVERB The REVERB is an authenti
22、c-sounding emulation of a classic spring reverb. It handles and responds just like the original: Simply twist the REVERB knob to adjust the spring REVERBs volume. 11 matrix_bda1_2.indd 1127.09.2005 13:56:21 MATRIX Manual 4 Technical Specifi cations Safety-related Data Primary fuses: 220 230V T 1.25
23、A 117V T 2.5 A 100V T 3.15 A Secondary fuses: T 2.5 A (2 each) Max. power consumption: 300 watts Continuous power: 100 watts Minimum impedance: 4 ohms Operational temperature range: -10C +35C Inputs INPUT: Jack type: 1/4 Input impedance: 1 Mohms Sensitivity: - 16 dBV Max. input level: + 4 dBV FX Ret
24、urn: Jack type: 1/4 Input impedance: 6 Kohms Sensitivity: + 3 dBV Max. input level: + 14 dBV CD INPUT: Jack type: 1/4“ Input impedance 22 Kohms Sensitivity: - 2 dBV Max. input level: + 14 dBV Outputs FX Send: Jack type: 1/4 Output impedance: 500 ohms Output level: 3 dBV Max. output level: + 10 dBV L
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