ORBAN 8200_Section_5 电路图.pdf
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1、Section 5 Troubleshooting pagecontents 5-2Problems and Possible Causes 5-2RFI, Hum, Clicks, Or Buzzes 5-2Poor Peak Modulation Control 5-2Audible Distortion On-Air 5-3Audible Noise on Air 5-4Whistle on Air, Perhaps Only in Stereo Reception 5-4Shrill, Harsh Sound 5-4Dull Sound 5-5System Will Not Pass
2、Line-Up Tones at 100% Modulation 5-5System Will Not Pass Emergency Broadcast System (“EBS” USA Standard) Tones at the Legally-Required Modulation Level 5-5Interference from Stereo Into Subcarriers 5-619kHz Frequency Out-of-Tolerance 5-6LR (Stereo Difference Channel) Will Not Null With Monophonic Inp
3、ut 5-6General Dissatisfaction With Subjective Sound Quality 5-7Security Pascode Lost (When Unit is Locked Out) 5-8Troubleshooting IC Opamps 5-8Technical Support 5-9Factory Service 5-9Shipping Instructions CAUTION The installation and servicing instructions in this manual are for use by qualified per
4、sonnel only. To avoid electric shock do not perform any servicing other than that contained in the Operating Instructions unless you are qualified to do so. Refer all servicing to qualified service personnel. OPTIMOD-FM 8200TROUBLESHOOTING 5-1 RadioFans.CN 收音机爱 好者资料库 page Problems and Possible Cause
5、s Always verify that the problem is not the source material being fed to the 8200, or in other parts of the system. RFI, Hum, Clicks, Or Buzzes A grounding problem is likely. Review the information on grounding on page 2-19. The 8200 has been designed with very substantial RFI suppression on its ana
6、log and digital input and output ports, and on the AC line input. It will almost always operate adjacent to high-powered transmitters without difficulty. In the most unusual circumstances, it may be necessary to reposition the unit to reduce RF interference, and/or to reposition its input and output
7、 cables to reduce RF pickup on their shields. Particularly if you are using a long run of coaxial cable between the 8200 and the exciter, a ground loop or other problem may inject noise into the exciters composite input particularly if the exciters input is unbalanced. This problem can almost always
8、 be cured by the Orban CIT25 Composite Isolation Transformer (see page 2-18). Poor Peak Modulation Control The 8200 ordinarily controls peak modulation to an accuracy of 1%. This accuracy will be destroyed if the signal path following the 8200 has poor transient response. Almost any link can cause p
9、roblems. Even the FM exciter can have insufficient flatness of response and phase linearity (particularly at low frequencies) to disturb peak levels. Section 1 of this manual contains a complete discussion of the various things that can go wrong. Even if the transmission system is operating properly
10、, the FM modulation monitor or reference receiver can falsely indicate peak program modulation higher than that actually being transmitted if the monitor overshoots at high or low frequencies. Many commercial monitors have this problem, but most of these problem units can be modified to indicate pea
11、k levels accurately. Audible Distortion On-Air Make sure that the problem can be observed on more than one receiver and at several locations. Multipath distortion at the monitoring site can be mistaken for real distortion. Verify that the source material at the 8200s audio inputs is clean. Heavy pro
12、cessing can exaggerate even slightly distorted material, pushing it over the edge into unacceptability. Refer to Orbans publication Audio Quality in the FM Plant (included with your 8200) for hints on how to achieve the cleanest source quality. The subjective adjustments available to the user have e
13、nough range to cause audible distortion at their extreme settings. Advancing the CLIPPING and/or FINAL CLIPPER DRIVE controls too far will inevitably cause distortion. Setting the LESS-MORE control beyond “9” 5-2 TROUBLESHOOTING OPTIMOD-FM 8200 RadioFans.CN 收音机爱 好者资料库 will cause audible distortion o
14、f some program material with all but the Protection Limiter structure. If you are using the 8200s analog inputs, the headroom of the 8200s analog-to-digital (A/D) converter must be correctly matched to the peak audio levels expected in your system (using the “SETUP” screen). If your peak program lev
15、el exceeds the peak level you have specified on setup, the 8200s A/D converter will clip and distort. (See page 2-47). If you are using an external processor ahead of the 8200, be sure that it is not causing problems. For example, if a “stereo enhancer” is used, be sure that it does not significantl
16、y increase the average level of the stereo difference channel (LR). This will almost certainly exaggerate multipath distortion. The Orban 222A Stereo Enhancer is fully compatible with the 8200 and will not cause this problem. Amplitude modulation of the carrier that is synchronous with the program (
17、“synchronous AM”) can cause subtle distortion, and can exaggerate existing multipath distortion. Syn- chronous AM should be better than 35dB below 100% modulation as measured on a synchronous AM detector with standard FM de-emphasis (50s or 75s). The “incidental AM” position on most modulation or st
18、ereo monitors is insufficiently wideband to provide an accurate reading of synchronous AM such metering was designed to indicate non-synchronous AM like hum and noise. Audible Noise on Air (See also RFI, Hums, Clicks, or Buzzes on page 5-2.) Excessive compression will always exaggerate noise in the
19、source material. The 8200 has two systems that fight this problem. The compressor gate freezes the gain of the AGC and compressor systems whenever the input noise drops below a level set by the GATE THRESH- OLD control, preventing noise below this level from being further increased. In the Multi- Ba
20、nd structure, dynamic single-ended noise reduction can be used to reduce the level of the noise below the level at which it appears in the input. Both of these features are explained in Section 3 of this manual. If you are using the 8200s analog input, the overall noise performance of the system is
21、usually limited by the overload-to-noise ratio of the analog-to-digital converter used by the 8200 to digitize the input. (This ratio is slightly better than 90dB.) It is important to correctly specify the A-I CLIP LVL (dBu) in the SYSTEM SETUP screen to optimize the noise performance available from
22、 the analog-to-digital converter. You should specify the INPUT PEAK OVERLOAD as the highest peak level that will be presented to the 8200 under normal operation. If, in an attempt to build in a “safety factor” or increase headroom, you specify a higher level than this, every 1dB of extra headroom th
23、at you gain will be accompanied by a 1dB increase in the 8200s noise floor. The 8200s optional AES/EBU input is capable of receiving words of up to 20 bits. A 20 bit word has a dynamic range of approximately 120dB. The 8200s digital input will thus rarely limit the units noise performance even with
24、very high amounts of compression. OPTIMOD-FM 8200TROUBLESHOOTING 5-3 RadioFans.CN 收音机爱 好者资料库 If a studio-to-transmitter link (STL) is used to pass unprocessed audio to the 8200, the STLs noise level can severely limit the overall noise performance of the system because compres- sion in the 8200 can
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