Shure_KSM27_User_Guide 电路图.pdf
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1、User Guide 2005, Shure Incorporated 27D3138 (Rev. 6) Printed in U.S.A. RadioFans.CN 收音机爱 好者资料库 1 SHURE INCORPORATED KSM27 CARDIOID CONDENSER MICROPHONE Thank you for selecting the KSM27 Over 75 years of audio experience has contributed to making the KSM27 one of the finest microphones available. If
2、you have any questions that are not answered in this booklet, please contact Shure Applications Engineering at 847-600-8440, Monday through Friday, from 8:00am to 4:30 pm, CST. In Europe, call 49-7131-72140. Our web address is . RadioFans.CN 收音机爱 好者资料库 2 FIGURE 1. KSM27 FRONT AND BACK GENERAL DESCRI
3、PTION The Shure KSM27 is a side-address condenser microphone with a cardioid polar pattern. Designed for studio use but rugged enough for live applications, the KSM27 has an externally biased 1-inch diaphragm, extremely low self-noise, and an extend- ed frequency response specially tailored for voca
4、l tracking and instrument recording. FEATURES Cardioid polar pattern - the most commonly used pattern for both studio and live applications 1 inch, externally biased, ultra-thin, 2.5 m, 24 Karat gold-layered, low mass, Mylar diaphragm provides superior transient response Class A, discrete, transform
5、erless preamplifier for transparency, extremely fast transient response and no crossover distortion, while minimizing harmonic and intermodulation distortions Premium electronic components and gold-plated internal and external connectors Subsonic filter eliminates rumble from mechanical vibration be
6、low 17 Hz Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs) 3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect Integrated three-stage “pop” protection grille reduces plosives and other breath noise Internal sho
7、ck mount reduces handling and stand noise KSM27 BACKKSM27 FRONT Low-frequency response switch 15 dB attenuator RadioFans.CN 收音机爱 好者资料库 3 PERFORMANCE CHARACTERISTICS Extended frequency response Low self noise Exceptional low-frequency reproduction High output level High input SPL capability No crosso
8、ver distortion Extremely uniform polar response Superior common mode rejection and suppression of radio frequency interference APPLICATIONS The KSM27 produces superior results in any application requiring a high quality mi- crophone. Typical applications include: Voice and vocals Close-miking of aco
9、ustic instruments such as piano, guitar, violins, drums, and percussion Electric guitar amplifiers Brass and woodwind instruments Low-frequency instruments such as double bass and kick drum Overhead miking for drums or percussion Orchestras, choirs, wind ensembles Room ambience pick-up (guitar ampli
10、fier or drums) NOTE: Sound quality is strongly affected by microphone location and room acous- tics. To acheive the best overall sound for a particular application, it may be neces- sary to experiment with microphone placement and various room treatments. OPERATING THE KSM27 Mounting Use the shock m
11、ount to secure the KSM27 to a floor or boom stand by threading the shock mount onto the microphone stand and inserting/threading the microphone into the shock mount. Power The KSM27 requires phantom power and performs optimally with a 48 Vdc supply (IEC-268-15/DIN 45 596). However, it will operate w
12、ith slightly decreased headroom and sensitivity with supplies as low as 11 Vdc. Most modern mixers provide phantom power. Phantom power can only be transmitted to the KSM27 through a cable termi- nated with XLR connectors at each end. 4 Positioning the Microphone The front of the KSM27 is marked by
13、the logo. See Figure 1. Position this side of the microphone toward the sound source to be recorded. The rear of the microphone is marked by the logo, the low-frequency filter switch and the 15dB attenuation switch. Cardioid. Picks up sounds directly in front of the microphone and is least sen- siti
14、ve to those in back. Cardioid is the most commonly used polar pattern in studio recording and live-sound applications. See Figure 5. Selecting Low-Frequency Response A three-position switch on the back of the KSM27 lets you adjust the low-frequency response of the microphone. The low-frequency filte
15、r settings can be used to re- duce wind noise, room noise or proximity effect. Since the microphone will repro- duce ultra-low frequencies, the rubber isolated shock mount should be used to reduce low-frequency mechanical vibrations transmitted through the microphone stand. Flat response. Provides t
16、he most natural sound in most applications. Low-frequency cutoff. Provides an 18 dB-per-octave cutoff at 80 Hz. Helps eliminate floor rumble and low-frequency room noise from heating and air condition- ing systems. This setting may also be used to compensate for proximity effect or to reduce low fre
17、quencies that make an in- strument sound dull or muddy. Low-Frequency Rolloff. Provides a 6 dB-per-octave rolloff filter at 115Hz. Use this to compensate for proximity effect or to reduce low frequencies that could make an instrument sound dull or muddy. Setting Attenuation The attenuation switch on
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