Shure_PG_Series_User_Guide 电路图.pdf

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1、? English ? Italiano ? Franais ? Espaol ? Deutsch ? Portugus ? ? ? ? performance gear microphone guide ? ? ? ? ? ? ? ? ? ? ? RadioFans.CN 收音机爱 好者资料库 ? ? plug in. play out. Welcome to the club Your new PG microphone is part of a complete vocal, instrument and drum microphone family. Its real gear for

2、 serious play. So you can amplify your message. Capture the imagination of your audience. And make a connection with your sound. Just as artists, visionaries and social leaders across generations and around the world have done with Shure products for more than 75 years. Up and running fast PG microp

3、hones are engineered to be easy to operate. The Power Up guide on the inside package cover will have you ready to go in no time. For more detailed setup and usage suggestions, please see page 4 of this guide. ?Page 2 ?Page 4 ?Page 65 ?Page 68 ?Page 70 ?Page 72 ?Page 74 ?Page 77 ?Page 78 ? ? ? ? ? ?

4、? ? ? RadioFans.CN 收音机爱 好者资料库 ? ? ? ? ? ? ? A great microphone for spoken word applications. ? ? Lead Vocals Back up Vocals ? ? ? A rugged microphone tuned to accentuate the clarity of lead and back up vocals. ? ? ? Guitar Amplifi er Brass and Saxophone ? ? ? A versatile microphone for use with ampl

5、ifi ed or acoustic instruments. . ? ? ? Acoustic Guitar Cymbals Piano ? Strings Woodwinds Ensembles ? ? ? A sensitive, fl at response microphone ideal for use with acoustic instruments. ? ? ? ? ? Speech Karaoke ? RadioFans.CN 收音机爱 好者资料库 ? Kick Drum Bass Amplifi er ? ? ? A high-performance microphone

6、 specifi cally tuned to capture low- end punch. ? ? ? ? Snare Drum Rack/Floor Toms Percussion ? ? ? A compact drum microphone for close miking. Drum mount included. ? ? ? ? ? The following suggestions will help you get the best sounding results from your PG microphones: ? use one microphone per soun

7、d source. ? aim the micro- phone directly toward the sound source and away from refl ective sources and loudspeakers. ? ? work close to the microphone. ? avoid excessive handling with vocal microphones. ? keep the microphone switch in the “OFF” position. ? and avoid covering the grille with your han

8、d. ? ? ? ? ? ? ? ? ? ? ? Usage ? ? ? ? ? Desired Response ? Minimal “p” popping and “s” sounds. ? Maximum isolation from other sources. ? Emphasized bass, maximum isolation from other sources. Setup ?cm ? ?in away from the mouth, slightly off to one side. ?cm ? ?in away from the mouth, directly in f

9、ront of microphone. ?cm ? ?in away from the mouth, directly in front of microphone. ? ? Usage ? ? ? ? Desired Response ? Emphasized bass. ? Higher frequency sound. ? Balanced sound. ? Clear sound. Setup ?cm?in away from speaker, centered directly in front of speaker cone. ?cm?in away from speaker, a

10、t the edge of speaker cone. ?cm?in away from speaker, directly in front of speaker cone. ?cm?in away from the instrument and directly in front of the bell. ? ? ? ? ? ? Usage ? ? ? Desired Response ? Good placement when leakage or feedback is a problem. ? Full sound. ? Less detail. ? Well balanced, s

11、lightly bright. ? (hi-hat) ? (overhead) ? ? ? Setup ?cm?in from the sound hole. ?cm?in from the sound hole. ?cm?in from the bridge. ?cm?in above the side, over the bridge. ?cm?in aim microphone down toward cymbal, a few inches over edge. ?cm?in above drummers head. ?cm?in just over open top, above t

12、reble strings. Good placement when only one microphone is used. ?cm?in just over open top, one microphone above bass strings, one microphone above treble strings for stereo. ? Usage ? ? ? Desired Response ? Maximum bass sound, highest sound pressure level. ? Balanced sound. ? Balanced, resonant soun

13、d. ? Emphasized bass. ? Higher frequency sound. ? Full, balanced sound. Setup ?cm?in away from beater head (inside drum), slightly off center from beater. ?cm?in away from beater head (inside drum), directly in front of beater. ?cm?in away from outside head, directly in front of beater (double head

14、kick drum only). ?cm?in from speaker, directly in front of the center of speaker cone. ?cm?in from speaker, at edge of speaker cone. ?cm?in from speaker, directly in front of the center of speaker cone. ? ? ? ? ? ? Usage ? ? ? Desired Response ? Crisp “snap.” ? ? Full, balanced sound. ? Natural soun

15、d. Insert the threaded end of the drum mount knob into the PG56. Rotate the knob on the drum mount clockwise until it is tight. Do not overtighten with tools. Clamp the bottom of the drum mount over the outside edge of the drum rim. Pull up to lock into desired postion. Insert the XLR connector into

16、 the end of the PG56. Setup ?cm?in above rim of top drum head. Aim mic at drum head. ?cm?in one PG56 on each tom, or between each pair of toms, above drum heads. Aim each mic at top drum heads. ?cm?in above rim of top head of drum. Aim mic at drum head. ? 1243 ? ? *What is feedback? During the norma

17、l operation of any sound system, sound produced by the loudspeakers can be picked up by the microphones, re-enter the system and become amplifi ed. At certain points this can cause the system to create a noisy, sustained “howl” known as feedback. ? ? ? ? ? ? ? 1. Position the front of the microphone

18、 as close as possible to the sound source youre trying to mic. 2. Keep the microphone as far away as possible from loudspeakers. ? ? ? ? ? ?Cosa il feedback ? Durante lesercizio normale di qualsiasi sistema sonoro, il suono prodotto dagli altoparlanti pu essere ripreso dai microfoni, rientrare nel s

19、istema e venire amplifi cato. In certi momenti ci pu creare nel sistema un “sibilo” prolungato e rumoroso, denominato feedback. ? ? ? ? ? ? Quest-ce que leff et Larsen ? Au cours du fonctionnement normal de toute chane audio, le son diff us par les haut-parleurs peut tre capt par les micros, puis re

20、tourner dans le systme et tre amplifi . Ceci entrane la production dun siffl ement continu et gnant, appel eff et Larsen. ? ? ? ?Qu es la realimentacin? Durante el funcionamiento normal de cualquier equipo de sonido, el sonido producido por los altavoces puede ser captado por los micrfonos, realimen

21、tarse en el sistema y amplifi carse. A veces, esto puede hacer que el sistema emita un “pitido” sostenido conocido como “acople”. ? ? ? ? ?Was passiert bei einer Rckkopplung? Ein Schallsignal wird von einem Mikrofon aufgenommen und entsprechend verstrkt ber Lautsprecher wiedergegeben. Das vom Lautsp

22、recher abgegebene Signal erreicht wieder das Mikrofon, wird wieder verstrkt, und so weiter. Bei entsprechend groer Verstrkung ergibt sich ein anhaltender Heul- oder Pfeifton. ? ? ? ? ? ? ? ? ? ? ? ? ? ?O que feedback? Durante o funcionamento normal de qualquer equipamento de som, o som produzido pel

23、as caixas acsticas pode ser captado pelos microfones, entrando de novo no sistema e se tornando ampli- fi cado. Algumas vezes, isso pode fazer com que o sistema crie um rudo contnuo, extremamente agudo, conhecido como feedback, ou “microfonia”. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? PG mi

24、crophones are built tough to excel in performance conditions, just like legendary Shure SM and Beta microphones. The following tips will help you get the longest life from your PG microphones: Avoid dropping the microphone. Keep the microphone grille securely screwed down to the handle. Keep the mic

25、rophone dry and avoid exposure to extreme temperatures and humidity. Clean the microphone and cable with a dry cloth when necessary. I microfoni PG sono robusti e resistenti per eccellere durante le rappresentazioni professionali, esattamente come i microfoni della serie SM e Beta della Shure. I seg

26、uenti consigli sono rivolti ad ottenere la massima durata dei microfoni PG. Non lasciare cadere il microfono. Mantenere la griglia del microfono saldamente avvitata allimpugnatura. Mantenere il microfono asciutto ed evitare di esporlo a livelli estremi di temperatura e umidit. Pulire il microfono e

27、il cavo con un panno asciutto quando sia necessario. Les microphones PG sont de construction robuste pour exceller en toute circonstance, tout comme les modles lgendaires SM et Bta de Shure. Les suggestions suivantes vous aideront prolonger la dure de vie de vos micros : Evitez de faire tomber le mi

28、cro. Assurez-vous que la grille du micro est bien fi xe au corps. Gardez le micro au sec et vitez de lexposer des conditions extrmes de temprature et dhumidit. Nettoyez le micro et le cble laide dun chiff on sec, si ncessaire. Los micrfonos PG son robustos y resistentes y producen resultados incompa

29、rables en las presenta- ciones en vivo, tal como los legendarios micrfonos SM y Beta de Shure. Los siguientes consejos le ayudarn a lograr la mxima duracin de sus micrfonos PG: No deje caer el micrfono. Mantenga la rejilla del micrfono bien atornillada a la empuadura. Mantenga el micrfono seco y evi

30、te exponerlo a niveles extremos de temperatura y humedad. Limpie el micrfono y el cable con un pao seco cuando sea necesario. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Im Stil der legendren Shure SM- und Beta-Mikrofone werden auch PG-Mikrofone in robuster Bauweise fr hchste Ansprche ausgefhr

31、t. Bitte beachten Sie die folgenden Tipps, um mglichst lange Freude an Ihrem Mikrofon zu haben: Lassen Sie das Mikrofon nicht fallen. Lassen Sie den Mikrofongrill fest am Griff angeschraubt. Halten Sie das Mikrofon trocken. Es darf weder extremen Temperaturen noch hoher Feuchtigkeit ausgesetzt werde

32、n. Bei Bedarf ist das Mikrofon samt Kabel mit einem trockenen Tuch zu reinigen. Os microfones PG so projetados para durar e para produzir resultados incomparveis durante shows, tal qual os legendrios microfones Shure SM e Beta. As dicas a seguir ajudaro voc a aproveitar os seus microfones PG durante

33、 muito tempo: Evite deixar o microfone cair. Mantenha a grade fi rmemente atarraxada no corpo do microfone. Mantenha o microfone seco e protegido de temperaturas extremas e de umidade. Limpe o microfone e o fi o com um pano seco quando necessrio. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Picks up the mo

34、st sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings. ? Rileva la maggior parte del suono dal fronte del microfono e meno suono dai lati. Meno suscettibile al feedback in ambienti ad alto volume. ? Cellule micro permettant de ca

35、pter surtout le son de la source directement face lui ainsi quune fraction du son dune source latrale. Moins sujet leff et Larsen en forte amplifi cation. ? Mikrofone mit Nierencharakteristik sind am empfi ndlich- sten fr Schall, der direkt von vorn auftritt, etwas weniger emp- fi ndlich fr Schall,

36、der seitlich einfllt und am unempfi ndlichsten fr Schall der von hinten auf die Kapsel bzw. Membrane auftriff t. Rckkopplungsarm. ? Capta o mximo pos- svel de som da frente do microfone e algum som dos lados. Menos suscetvel a feedback em ajustes mais altos de volume. ? Capta la mayor parte del sonido delante del micrfono y algo de sonido de los lados. Es menos susceptible a realimentacin en confi guraciones de volumen alto. ? ? ? ? ? ? ?