Shure_KSM44_User_Guide 电路图.pdf
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1、2007, Shure Incorporated 27E3122 (Rev. 1) User Guide Printed in U.S.A. RadioFans.CN 收音机爱 好者资料库 1 SHURE INCORPORATED KSM44 MULTIPLE POLAR PATTERN CONDENSER MICROPHONE Thank you for selecting the KSM44 Over 75 years of audio experience has contributed to making the KSM44 one of the finest microphones
2、available. If you have any questions not answered in this booklet, please contact Shure Applications Engineering at 847-600-8440, Monday through Friday, from 8:00am to 4:30 pm, CST. In Europe, call 49-7131-72140. Web address is . RadioFans.CN 收音机爱 好者资料库 2 FIGURE 1. KSM44 FRONT AND BACK GENERAL DESCR
3、IPTION The Shure KSM44 is a side-address condenser microphone with multiple polar patterns (cardioid, omnidirectional, bidirectional). Designed for studio use, the KSM44 has externally biased, dual 1-inch diaphragms, extremely low self-noise and an extended frequency response specially tailored for
4、vocal tracking and instrument recording. FEATURES Multiple polar patternscardioid, omnidirectional and bidirectionalfor maximum flexibility in a wide variety of recording applications. Dual 1 inch, externally biased, ultra-thin, 2.5 m, 24 Karat gold-layered, low mass, Mylar diaphragms provide superi
5、or frequency response Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and inter- modulation distortions. Premium electronic components and gold-plated internal and external connectors. Subsonic filter
6、 eliminates rumble from mechanical vibration below 17 Hz. Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs). 3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect. Integrated three-stage “pop” protection grille re
7、duces plosives and other breath noise. Internal shock mount reduces handling and stand noise. KSM44 FRONT Polar Pattern Switch Low Frequency Response Switch 15 dB Attenuator KSM44 BACK RadioFans.CN 收音机爱 好者资料库 3 PERFORMANCE CHARACTERISTICS Extended frequency response Ultra-low self noise Exceptional
8、low-frequency reproduction High output level High input SPL capability No crossover distortion Extremely uniform polar response Superior common mode rejection and suppression of radio frequency interference APPLICATIONS The KSM44 provides superior results in any application requiring a high quality
9、microphone. Some typical applications are listed below. Voice-solo, background, voice-over or broadcasting Acoustic instruments such as piano, guitar, drums, percussion, strings Wind instruments-brass and woodwind Low-frequency instruments such as double bass, electric bass, kick drum Overhead mikin
10、g-drums or percussion Ensembles-choral or orchestral Room ambience pick-up-guitar amplifier or drums Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source, especially with a high-resolution microphone like the KSM44. You may need to experiment
11、 with microphone placement, room treatments and polar pattern to achieve the best overall sound for each application. OPERATION Mounting Use either the ShureLock swivel mount or the elastic shock mount to secure the KSM44 to a floor or boom stand. When using the swivel mount, the internal shock moun
12、t provides good isolation from vibration. For even greater reduction of noise from external vibrations, use the elastic shock mount. Important: When using the swivel mount or elastic shock mount, be sure that the threaded, knurled locking grip is screwed securely onto the threads at the base of the
13、microphone. Do not overtighten. Power The KSM44 requires phantom power and performs optimally with a 48 Vdc supply (IEC-268-15/DIN 45 596). However, it will operate with slightly decreased head- room and sensitivity with supplies as low as 11 Vdc. 4 Positioning the Microphone The front of the KSM44
14、is marked by thelogo and the polar-pattern selec- tion switch. See Figure 1. Position this side of the microphone toward the sound source to be recorded. The rear of the microphone is marked by the logo, the low-frequency filter switch and the 15dB attenuation switch. Selecting a Polar Pattern The t
15、hree position switch on the front of the KSM44 sets the polar response pattern of the microphone. The sensitivity of the microphone to sounds coming from different angles varies according to this switchs setting. Cardioid. Picks up sounds directly in front of the microphone and is least sensi- tive
16、to those in back. Cardioid is the most commonly used pattern in studio recording and live-sound applications. See Figure 5. Omnidirectional. Picks up sound equally from all directions. This pattern is best for picking up room ambience and miking several sources at once, such as a choir or ensemble.
17、Omnidirectional patterns do not exhibit proximity effect. See Figure 7. Bidirectional. Picks up equally from the front and back of the microphone while rejecting sounds from the sides. Bidirectional is often for stereo recording (such as mid-side and Blumlein techniques). See Figure 9. NOTE: As with
18、 all bidirectional microphones, sounds picked up from the front will be in polarity with the source and those picked up from the back will be out of polarity with the source. Selecting Low-Frequency Response A three-position switch on the back of the KSM44 allows you to adjust the low-fre- quency re
19、sponse of the microphone, as shown in Figure 2. The low-frequency filter settings can be used to reduce wind noise, room noise or proximity effect. Flat response. Use this setting when you desire the most natural reproduction of the source. Low-frequency cutoff. Provides an 18 dB-per-octave cutoff a
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- Shure_KSM44_User_Guide 电路图
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