ELI_DISTMAN-UNFORMATTEDR19 电路图.pdf

《ELI_DISTMAN-UNFORMATTEDR19 电路图.pdf》由会员分享，可在线阅读，更多相关《ELI_DISTMAN-UNFORMATTEDR19 电路图.pdf（15页珍藏版）》请在收音机爱好者资料库上搜索。

1、DISTRESSOR Classic Knee Compression For Models EL8 one of pro audios truly independent thinkers, Im a huge fan of the box (the Distressor): I use it for bringing up the “goosh” on ambient sources, and for saturating snares, toms, and kicks.” George Massenburg Comments About the FATSO Jr “In a word,

2、the FATSO is a very good answer to what a lot of people loathe about digital recording. It smoothes out the sharp, brittle edges to exactly the extent you choose, and fills in the hairline cracks just right. I use one on almost every mix I do. I could easily use one and possibly two more.” George Ma

3、ssenburg “People used to have to hunt for old, expensive gear to get the kind of sounds that the FATSO gives me.” Ed Cherney (The Rolling Stones, Bonnie Raitt, Bob Dylan, Eric Clapton, Jackson Browne, Susan Tedeschi, Etta James, et al) Best new Signal Processor-EQ AES Awards - Empirical Labs Fatso t

4、ook this category, despite the introduction of a variety of cool new processors. Who can resist the best aspects of analog tape combined with great compression EQ Magazine The winner of the highly -coveted, Im going to write you a check right after the show award was picked up by Empirical Labs for

5、its FATSO processor. Craig Anderton LIL FREQ “Hey Dave so I got the box, plugged it in on an Etta James vocal that I was having problems with and it $#$%&* rocks. This is a great box, my friend. I can see anybody with a DAW wanting to use this thing. I am using the shelving, DSing and transformer ou

6、t, and I am just thrilled. Congratulations. It absolutely complements the digital crap that I am forced to usewooo hooo.” Ed Cherney I finally got to hear Empirical Labs Lil FrEQ, a monster that will destroy the way you think about EQ. This single-channel unit has two shelving bands, tunable low cut

7、, four parametric bands, dynamic EQ for de-essing and direct box inputall noiseless and distortion free. Best of all, its smooth processing is absolutely addictive. Sweet! George Peterson (Mix Magazine) 14 (Rev19) Warranty and Factory Service All Empirical Labs Inc. products are covered by a limited

8、 warranty, which covers full parts and labor for one year from the purchase date. The warranty is only effective if the owner has returned his or her warranty card. See warranty card for further details. Should problems arise, call your dealer or distributor to determine the state of your warranty a

9、nd if it becomes necessary, pack the unit up well1, with a note explaining the problem and return to Empirical Labs for repair. Include your name, address, phone, and the date of purchase. Send the unit with freight prepaid to the address below and mark it Attn: Service. EMPIRICAL LABS 41 N. Beverwy

10、ck Rd. Lake Hiawatha, NJ. 07034 Phone (973) 541-9447 Also see our Website at www.EmpiricalL. Additional Contact Email Information can be found there. 1 Please pack the unit in original carton, if possible. Otherwise, pack with bubble pack and /or foam in a thick corrugated box. Shipping companies ar

11、e absolutely brutal with large packages, and you must take every precaution against repeated dropping, throwing, and crushing. We are not liable for products damaged during shipping. Other Empirical Labs Products: 1) FATSO Full Analog Tape Simulator Optimizer with Compression 2) Lil FrEQ The Ultimat

12、e Analog Equalizer & De-esser, with built in DI Box. 3) Masderring Lab for Eventide DSP4000 - Complete mastering facilities in a double height rack mount unit! Contact Eventide Inc. at (201) 641-1200 4) Three dimensional software for the Eventide DSP4000 and H3000. Contact Eventide Inc. at (201) 641

13、-1200. This product is dedicated to the memory of John Patterson, whose help, love, and extensive knowledge had a huge influence on the design of the Distressor. John was not only the “namer” of “NUKE”, but also a great friend. He will be missed by all of us here at Empirical Labs, and by all who knew him. Technology for the Artist