nagra3 电路图.pdf
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1、 NAGRA INSTRUCTIONS MANUAL KUDELSKI KUDELSKI S.A. NAGRA Tape Recorders Manufacture CH-1033 Cheseaux / Lausanne SWITZERLAND phone: (021) 91.21.21 telex: 24 392 nagra ch MAY 1st 1963 RadioFans.CN 收音机爱 好者资料库 RadioFans.CN 收音机爱 好者资料库 RadioFans.CN 收音机爱 好者资料库 NAGRA III TAPE RECORDER INSTRUCTIONS FOR USE I.
2、 PRECAUTIONS TO BE TAKEN When out of use, turn the tape transport control to its mid position. In the ON position, when not running, there is danger of producing a flat on the capstan roller. The working surfaces of the fast rewind clutch may also suffer. When batteries are exhausted, a corrosive li
3、quid may escape and the containers may corrode. Never leave discharged batteries in the Nagra If the machine will not be used for sometime (a few months), remove the batteries, even if they are not discharged, as a precaution. Take care that the batteries are inserted into the machine with correct p
4、olarity. Place them in the battery compartment as indicated by the small diagram on the bottom of the compartment. When an external power supply is used. Always check the polarity very carefully. If it is incorrect. the motor will run backwards. A special protective circuit is used to prevent damage
5、 to important parts of the Nagra. But even so it is possible that some electrolytic condensers could be damaged. The Nagra III is very robust. But it is better to take no chance. Protect it from sand, sea being dropped or from mechanical shock. Do not subject it to rapid changes of temperature. or t
6、o the curiosity of unqualified personnel, and above all from vibration. For instance do not carry it unprotected in the baggage compartment of a car. II. DESCRIPTION OF CONTROLS AND EXTERNAL MECHANISM 1. Speed and Equalization Selector, This switch may be operated by a coin in the slot. It simultane
7、ously changes speed and equalization, both for recording and playback. The following combinations are available: 38.1 cm/sec. = 15 1 /sec. (CCIR or Ampex) This speed is normally used in broadcasting studios. The use of it insured the best quality; the azimuth adjustment is not very critical while th
8、e response Page 2 Curve is always excellent and varies little from tape to tape. At this speed the tape is little affected by repeated play- backs. Another advantage is that editing is easy, and that a suitable machine operating at this speed can usually be found in studios for playback of recording
9、s. 19, 05 cm sec. = 7.511 sec. CCIR Equalization Standard This is the normal speed for the general uses of the Nagra in studios working with the CCIR standards. Where this is not necessary. the following position will be preferred: 19, 05 cm sec. = 7.511 sec. Ampex Equalization Standard This is a be
10、tter standard, as the modulation noise. medium range distortions and tape background noise are reduced considerably. 9.525 cm/sec. = 3.751 /sec. This speed is for use where high quality is not required and tape economy is important. One hour recording time can be obtained with the use of 5 reels and
11、 using extra thin tape or two hours with 711 reels. 2) Tension Pulley This pulley is movable and operates a brake on the spool, ensuring constant tape tension. 3) Microphone Input The microphone should have an impedance of 50 or 200 ohms. This input socket on the Nagra is Cannon type XLR 3-42. The p
12、lug on the microphone cable is Cannon type XLR 3 -11 C. Contact N o .1 is earth and 2 and 3 are the microphone connections. The input is symmetrical and floating, there being no connection between primary and earth. 4) Shoulder Strap Button For the attachment of a shoulder strap or ever ready case a
13、 small set screw is fitted for safety in the nut (3 mm. Set screw, for Allen key to DIN 913: a key 0.050 (1.27 mm is provided. 5) Modulation Level Meter The upper scale on the meter is for measuring the input level (on Test or on Record), and the output level to the line on Hi-Fi playback. Normally
14、the pointer will not reach the black segment between 0 and +2db, which is the region of over modulation. The recorder has a safety factor of about 6 db, so that an occasional accidental incursion into this region is of no consequence. The level control should be adjusted so that the pointer only rea
15、ches the black zone on the loudest parts of the recording. 6) Battery Indicator The lower scale of the meter is for checking the state of the batteries. The meter is connected to the batteries when the selector switch indicates Play- back and Batteries Meter that is when playing back on the internal
16、 loudspeaker. The pointer should lie in the marked segment when the batteries are in working condition. This indication leaves a good factor of safety when Page 3 employing this speed, headphones should be used for monitoring. Then when the battery voltage falls to a level unsatisfactory for recordi
17、ng an alarm signal will be heard in the phones. It is well to remember that batteries used uninterruptedly for, say, an hour, will recuperate when rested for, say, 10 hours. Therefore exhausted batteries may appear acceptable during a quick test before recording, but then collapse after a few minute
18、s use. To recapitulate - If one is recording at 15/sec. always use monitoring headphones and read the battery meter pessimistically. - If one is recording at 7 ” or 3 ”/sec. for fairly short periods. say 15 minutes. a battery test before starting should be sufficient. On the other hand, if the recor
19、ding session is of long duration the batteries should be checked when changing reels. 7) Pilot Signal Indicator This is an indicator on which a white cross will appear when the Nagra is receiving the pilot signal (Neopilot Nagras only). 8) Accelerator Button By pressing this button the motor speed i
20、s increased to its maximum. This can be done during play-back for forward spooling. Although no damage will be done by pressing the button during recording, the speed will be incorrect. 9) Function Selector Swjtch This switch controls the functioning of the Nagra. It has two sets of six positions. O
21、ne set is for working on internal batteries when the end of the switch knob marked bat is used as an indicator and one set is for working with an external power supply. when the other end of the knob marked I ext. is used as an indicator. The positions are as follows: STOP in the centre TESTING to t
22、he right In this position the amplifiers are connected but not the motor. so that the incoming signal to be recorded can be checked. The monitoring phones are connected to the record amplifier. HI-FI RECORD = Normal recording position. The phones are connected to the play- back amplifier, so that th
23、e actual recording that has been made is monitored. Incoming signals can be mixed from both microphone and line inputs. The level of each of these signals can be adjusted by the appropriate volume controls. If the line input is only used, the microphone level potentiometer should be turned fully ant
24、iclockwise to prevent the recording of noise from the microphone pre-amplifier. On the other hand if a recording is made through the microphone channel only. the position of the line input volume control is immaterial. AUTOMATIC RECORD = Recording with automatic control of level and attenuation of l
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