D-Comp Compressor 电路图.pdf
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1、D will work with 2N3904 or 2N4124. Diodes 1N914 or 1N4148. Parts not in the original but included for modern pedal practices. Electro Cap Polarity D-Comp Compressor 2 3 4 5 6 7 Vb Vb Vb R5 TRIM 1 9V In Out Copyright 1999 R.G. Keen All rights reserved. Fair use only if this notice is reproduced. No p
2、ermission to serve from web pages other than Shown with True Bypass switching for the Millenium Bypass. Connect this point to the conrol pad of the MB to get an LED indicator with the same DPDT switch. Shown with True Bypass switching for the Millenium Bypass. Connect this point to the conrol pad of
3、 the MB to get an LED indicator with the same DPDT switch. R-Comp Compressor Not in original pedal U1 U1 C9 C9 SUST SUST LEVEL LEVEL R20 R20 R18 R18 C16 C16 R17 R17 C15 C15 C14 C14 Q3 Q3 Q4 Q4 Q2 Q2 R16 R16 D2 D2 D3 D3 C13 C13R19 R19 Q5 Q5 R21 R21 R12 R12 C11 C11 C12 R14 R14 TRIM1 C10 C10 R11 R11 C8
4、 C8 R15 R15 R13 R13 C3 C4 C7 C5 R9 D1 D1 R10 R10 R6 C6 C6 R8 R8 R5 R7R7 C4 R4 Q1 Q1 R3 R2 R2R3 C1 C1 R1 R1 C2 RadioFans.CN 收音机爱 好者资料库 D-Comp and R-Comp Compressors 2 Copyright 1999-2001 R.G. Keen. All rights reserved. input currents of the differential inputs and balance out any control voltage nois
5、es as the gain of the OTA changes. In the R-Comp, R6 is added in series with R10, and the junction of the two are bypassed to ground by C5. The maximum gain of the OTA is set by the R14 load resistor attached from pin 6 to the bias voltage, and the high frequency rolloff is set by the parallel combi
6、nation of R14 and C11. From pin 6, the signal goes to the base of Q2. Q2 performs two tasks - it acts as an output buffer to drive the output signal, and also as a phase inverter to help derive the DC level signal which controls the gain of the whole circuit. The output signal is tapped from the emi
7、tter of Q2, while both the emitter and collector of Q2 provide out-of-phase signals to a rectifier-filter arrangement built from Q3 and Q4. The most negative peak of the both phases of the signal from Q2 is clamped to ground by the diodes at the bases of Q3 and Q4, providing a rectified signal that
8、is as large as the peak-to-peak Q2 signal. Since there are two of these working on the two out-of-phase signals from Q2, the signal is effectively full wave rectified. Q3 and Q4 invert; that is, higher signals cause them to pull their collectors to a lower voltage. The collectors pull this current f
9、rom R18 to +9V, pulling down on the voltage of C16. In the absence of a signal, C16s voltage rises to nearly the supply voltage. When large signals are passed through, Q3 and Q4 pull the voltage on capacitor C16 lower. The voltage on this capacitor is buffered by Q5, and in turn drives the bias curr
10、ent of the OTA through the 500K sensitivity control and the 27K resistor. So as a result, if there is a very small or no signal at the input, Q3 and Q4 do not pull down on C16, and the voltage at the emitter of Q5 is high; this supplies a current to the bias pin which is determined by the voltage at
11、 Q5s emitter and the Sustain control in series with R12. With a high voltage at Q5s emitter, the bias voltage into Pin 5 of the OTA is high, and the gain of the OTA is high. As the signal level rises, Q3 and Q4 pull the voltage on the 10uF capacitor down, so the voltage across Sustain and R12 are lo
12、wer, and current is reduced to the bias pin so the OTA gain goes down. Note that the sustain control can vary the current over a wide range as it varies from 0 to 500K. This setup effectively forms a negative feedback loop which attempts to adjust the signal level at the output of Q2 so it is almost
13、 constant. When a note is first hit, it is loud and the level feedback adjusts the OTA to a low gain. As the note trails off, the feedback circuit lets the gain come up to hold the output signal almost constant until the maximum gain of the circuit is reached and the OTA can no longer keep the tiny
14、signal up to the desired level. The stomp switch on the vintage units is a DPDT switch, but not wired for true bypass. The guitar always connected to the input of the effect unit. Because the input signal must go through a 10K resistor at the input to the effect, the loading may be bad enough to cau
15、se tone sucking. I have drawn the circuit with true bypass switching to get around this. I have also shown how to wire the units for true bypass with an LED status indictor; see the Millenium Bypass at GEO, for how to build the circuit to do that. Building it: While neither circuit is complicated, a
16、nd the use of a printed circuit board (PCB) does make things much easier, you will need to pay attention to the differences between the D-comp and R-comp versions. In the Parts List that follows, I have shaded the entries where the D-comp and R-comp versions are different. The R-comp version uses mo
17、re parts, but the D-comp version needs jumpers strategically placed. Its probably a good idea to study the differences in the two population diagrams before beginning building, or in fact before ordering your parts, just to be sure that you get the right set of parts. I like to build things in a spe
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