Marantz-SR-5500-Service-Manual(1) 电路图 维修手册.pdf

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1、SURROUND AV SURROUND RECEIVER SR5500 DOWNUP VOLUMEINPUT SELECTOR POWER ON/OFFPHONES STANDBY MUTEMULTIM. SPEAKER B7.1CH INPUT PURE SETUPDIRECT SIMPLE AUTOHT-EQMENU ENTER DISPLAYMEMORYCLEAR T-MODEEXITBAND MODE DISPMULTIAUTOTUNEDSTV OFFNIGHTPEAKANALOG DIGITAL ATT SLEEPSURRAUTODIRECTDISC 6.1MTX 6.1EQ DI

2、GITAL SURROUND PCM LCR SLSSR LFE AUX 1 INPUT AUDIOS-VIDEOVIDEOLR AV Surround Receiver SR5500 Part no. 90M08BW855010 First Issue 2004.07 ecm Service Manual SR5500 /L1G/N1G /N1B/U1B /N1S Please use this service manual with referring to the user guide (D.F.U) without fail. SR5500 TABLE OF CONTENTS SECT

3、IONPAGE 1. TECHNICAL SPECIFICATIONS. 1 2. TECHNICAL DESCRIPTION . 3 3. POWER AMPLIFIER ADJUSTMENT . 5 4. SERVICE MODE . 6 5. SYSTEM ERROR . 8 6. UPDATE FIRMWARE . 9 7. WIRING DIAGRAM. 15 8. BLOCK DIAGRAM. 16 9. SCHEMATIC DIAGRAM . 17 10. PARTS LOCATION . 26 11. IC DATA . 33 12. EXPLODED VIEW AND PAR

4、TS LIST . 46 13. ELECTRICAL PARTS LIST . 50 RadioFans.CN 收音机爱 好者资料库 MARANTZ DESIGN AND SERVICE Using superior design and selected high grade components, MARANTZ company has created the ultimate in stereo sound. Only original MARANTZ parts can insure that your MARANTZ product will continue to perform

5、 to the specifications for which it is famous. Parts for your MARANTZ equipment are generally available to our National Marantz Subsidiary or Agent. ORDERING PARTS : Parts can be ordered either by mail or by Fax. In both cases, the correct part number has to be specified. The following information m

6、ust be supplied to eliminate delays in processing your order : 1. Complete address 2. Complete part numbers and quantities required 3. Description of parts 4. Model number for which part is required 5. Way of shipment 6. Signature : any order form or Fax. must be signed, otherwise such part order wi

7、ll be considered as null and void. SHOCK, FIRE HAZARD SERVICE TEST : CAUTION : After servicing this appliance and prior to returning to customer, measure the resistance between either primary AC cord connector pins ( with unit NOT connected to AC mains and its Power switch ON ), and the face or Fron

8、t Panel of product and controls and chassis bottom. Any resistance measurement less than 1 Megohms should cause unit to be repaired or corrected before AC power is applied, and verified before it is return to the user/customer. Ref. UL Standard No. 6500. In case of difficulties, do not hesitate to c

9、ontact the Technical Department at above mentioned address. 040401ECM SUPERSCOPE TECHNOLOGIES, INC. USA MARANTZ AMERICA, INC 1100 MAPLEWOOD DRIVE ITASCA, IL. 60143 USA PHONE : 630 - 741 - 0300 FAX : 630 - 741 - 0301 JAPANTechnical MARANTZ JAPAN, INC. 35- 1, 7- CHOME, SAGAMIONO SAGAMIHARA - SHI, KANA

10、GAWA JAPAN 228-8505 PHONE : +81 42 748 1013 FAX : +81 42 741 9190 EUROPE / TRADING MARANTZ EUROPE B.V. P. O. BOX 8744, BUILDING SILVERPOINT BEEMDSTRAAT 11, 5653 MA EINDHOVEN THE NETHERLANDS PHONE : +31 - 40 - 2507844 FAX : +31 - 40 - 2507860 AUSTRALIA QualiFi Pty Ltd, 24 LIONEL ROAD, MT. WAVERLEY VI

11、C 3149 AUSTRALIA PHONE : +61 - (0)3 - 9543 - 1522 FAX : +61 - (0)3 - 9543 - 3677 NEW ZEALAND WILDASH AUDIO SYSTEMS NZ 14 MALVERN ROAD MT ALBERT AUCKLAND NEW ZEALAND PHONE : +64 - 9 - 8451958 FAX : +64 - 9 - 8463554 THAILAND MRZ STANDARD CO., LTD 746 - 754 MAHACHAI ROAD., WANGBURAPAPIROM, PHRANAKORN,

12、 BANGKOK, 10200 THAILAND PHONE : +66 - 2 - 222 9181 FAX : +66 - 2 - 224 6795 TAIWAN PAI- YUING CO., LTD. 6 TH FL NO, 148 SUNG KIANG ROAD, TAIPEI, 10429, TAIWAN R.O.C. PHONE : +886 - 2 - 25221304 FAX : +886 - 2 - 25630415 MALAYSIA WO KEE HONG ELECTRONICS SDN. BHD. 2ND FLOOR BANGUNAN INFINITE CENTRE L

13、OT 1, JALAN 13/6, 46200 PETALING JAYA SELANGOR DARUL EHSAN, MALAYSIA PHONE : +60 - 3 - 7954 8088 FAX : +60 - 3 - 7954 7088 AMERICAS MARANTZ PROFESSIONAL PRODUCTS 2640 WHITE OAK CIRCLE, SUITE A AURORA, ILLINOIS 60504 USA PHONE : 630 - 820 - 4800 FAX : 630 - 820 - 8103 KOREA MK ENTERPRISES LTD. ROOM 6

14、04/605, ELECTRO-OFFICETEL, 16-58, 3GA, HANGANG-RO, YONGSAN-KU, SEOUL KOREA PHONE : +822 - 3232 - 155 FAX : +822 - 3232 - 154 SINGAPORE WO KEE HONG DISTRIBUTION PTE LTD No.1 JALAN KILANG TIMOR #08-03 PACIFIC TECH CENTRE SINGAPORE 159303 PHONE : +65 6376 0338 FAX : +65 6376 0166 HONG KONG Jolly ProAud

15、io Broadcast Engineering Ltd. UNIT 2, 10F, WAH HUNG CENTRE, 41 HUNG TO ROAD, KWUN TONG, KLN., HONG KONG PHONE : 852 - 21913660 FAX : 852 - 21913990 CANADA MARANTZ CANADA INC. 5-505 APPLE CREEK BLVD. MARKHAM, ONTARIO L3R 5B1 CANADA PHONE : 905 - 415 - 9292 FAX : 905 - 475 - 4159 TECHNICAL AUDIO GROUP

16、 PTY, LTD 43-53 Bridge Rd., STANMORE NSW 2048 AUSTRALIA PHONE : +61 - (0)2 - 9519 - 0900 FAX : +61 - (0)2 - 9519 - 0600 AUSTRALIA RadioFans.CN 收音机爱 好者资料库 1 1. TECHNICAL SPECIFICATIONS FM TUNER SECTION Frequency Range . 87.5 - 108.0 MHz Usable Sensitivity .IHF 1.8 V/16.4 dBf Signal to Noise Ratio . M

17、ono/Stereo 75/70 dB Distortion .Mono/Stereo 0.2/0.3 % Stereo Separation. 1 kHz 45 dB Alternate Channel Selectivity. 300 kHz 60 dB Image Rejection.98 MHz 70 dB Tuner Output Level. 1 kHz, 75 kHz Dev 800 mV AM TUNER SECTION Frequency Range . 531 - 1602 kHz /K/N . 520 - 1710 kHz /L/U Signal to Noise Rat

18、io . 50 dB Usable Sensitivity . Loop 400mV/m Distortion . 400Hz, 30 % Mod. 0.5 % Selectivity. 18 kHz 70 dB AUDIO SECTION Power Output (20 Hz - 20 kHz/THD=0.08%) Front L Notes: Dolby Digital (2 ch: Lt/Rt): signal with Dolby Surround flag Speakers are full set. No sound outputs from the surround speak

19、er, center speaker and subwoofer if the DVD disc has no surround data. Abbreviations L/R : Front speakers C : Center speaker SL/SR : Surround speakers SBL/SBR : Surround Back speakers SubW : Sub woofer speaker SR5500 Output ChannelFront information display Surround ModeInput SignalDecoding L/RC SLSB

20、L SubWSignal format indicatorsChannel status SR SBR AUTODolby Surr. EXDolby Digital EXOOOOO2 DIGITALL, C, R, SL, SR, S, LFE Dolby D (5.1ch)Dolby Digital 5.1OOO-O2 DIGITALL, C, R, SL, SR, LFE Dolby D(2ch)Dolby Digital 2.0O-2 DIGITALL, R Dolby D (2ch Surr)Pro Logic IIx movieOOOO-2 DIGITAL , 2 SURROUND

21、L, R, S DTS-ESDTS-ESOOOOOdts, ESL, C, R, SL, SR, S, LFE DTS 96/24DTS 96/24OOO-Odts 96/24L, C, R, SL, SR, LFE DTS (5.1ch)DTS 5.1OOO-OdtsL, C, R, SL, SR, LFE PCM(Audio)PCM (Stereo)O-PCML, R PCM 96kHzPCM (96kHz Stereo)O-PCML, R AnalogStereoO-ANALOG- PURE DIRECTDolby D Surr. EXDolby Digital EXOOOOO2 DIG

22、ITALL, C, R, SL, SR, S, LFE Dolby D (5.1ch)Dolby Digital 5.1OOO-O2 DIGITALL, C, R, SL, SR, LFE Dolby D (2ch)Dolby Digital 2.0O-2 DIGITALL, R Dolby D (2ch Surr)Pro Logic IIx movieOOOO-2 DIGITAL , 2 SURROUNDL, R, S DTS-ESDTS-ESOOOOOdts, ESL, C, R, SL, SR, S, LFE DTS 96/24DTS 96/24OOO-Odts 96/24L, C, R

23、, SL, SR, LFE DTS (5.1ch)DTS 5.1OOO-OdtsL, C, R, SL, SR, LFE PCM (Audio)PCM (Stereo)O-PCML, R PCM 96kHzPCM (96kHz Stereo)O-PCML, R AnalogStereoO-ANALOG- EX/ESDolby D Surr. EXDolby Digital EXOOOOO2 DIGITALL, C, R, SL, SR, S, LFE Dolby D (5.1ch)Dolby Digital EXOOOOO2 DIGITALL, C, R, SL, SR, LFE DTS-ES

24、DTS-ESOOOOOdts , ESL, C, R, SL, SR, S, LFE DTS(5.1ch)DTS-ESOOOOOdtsL, C, R, SL, SR, LFE DOLBYDolby D Surr. EXDolby Digital 5.1OOOOO2 DIGITALL, C, R, SL, SR, S, LFE (PL IIx movie)Dolby D (5.1ch)Dolby Digital 5.1OOOOO2 DIGITALL, C, R, SL, SR, LFE (PL IIx music)Dolby D (2ch)Pro Logic IIxOOOO-2 DIGITALL

25、, R (PL IIx game)Dolby D (2ch Surr)Pro Logic IIxOOOO-2 DIGITAL , 2 SURROUNDL, R, S (Pro Logic)PCM (Audio)Pro Logic IIxOOOO-PCML, R AnalogPro Logic IIxOOOO-ANALOG- DTSDTS-ESDTS 5.1OOO-Odts, ESL, C, R, SL, SR, S, LFE (Neo:6 Cinema)DTS 96/24DTS 96/24OOO-Odts 96/24L, C, R, SL, SR, LFE (Neo:6 Music)DTS (

26、5.1ch)DTS 5.1OOO-OdtsL, C, R, SL, SR, LFE PCM (Audio)Neo:6OOOO-PCML, R AnalogNeo:6OOOO-ANALOG- Dolby D (2ch)Neo:6OOOO-2 DIGITALL, R Dolby D (2ch Surr)Neo:6OOOO-2 DIGITAL , 2 SURROUNDL, R, S CS II CinemaPCM (Audio)CS IIOOOOOPCML, R CS II MusicAnalogCS IIOOOOOANALOG- CS II MonoDolby D (2ch)CS IIOOOOO2

27、 DIGITALL, R Dolby D (2ch Surr)CS IIOOOOO2 DIGITAL , 2 SURROUNDL, R, S STEREODolby Surr. EXStereoO-O2 DIGITALL, C, R, SL, SR, S, LFE Dolby D (5.1ch)StereoO-O2 DIGITALL, C, R, SL, SR, LFE Dolby D (2ch)StereoO-2 DIGITALL, R Dolby D (2ch Surr)StereoO-2DIGITAL , 2 SURROUNDL, R, S DTS-ESStereoO-Odts, ESL

28、, C, R, SL, SR, S, LFE DTS 96/24StereoO-Odts 96/24L, C, R, SL, SR, LFE DTS (5.1ch)StereoO-OdtsL, C, R, SL, SR, LFE PCM (Audio)StereoO-PCML, R PCM 96kHzStereoO-PCML, R AnalogStereoO-ANALOG- VirtualDolby Surr. EXVirtualO-2 DIGITALL, C, R, SL, SR, S, LFE Dolby D (5.1ch)VirtualO-2 DIGITALL, C, R, SL, SR

29、, LFE Dolby D (2ch)VirtualO-2 DIGITALL, R Dolby D (2ch Surr)VirtualO-2 DIGITAL , 2 SURROUNDL, R, S DTS-ESVirtualO-dts, ESL, C, R, SL, SR, S, LFE DTS (5.1ch)VirtualO-dtsL, C, R, SL, SR, LFE PCM (Audio)VirtualO-PCML, R AnalogVirtualO-ANALOG- Multi Ch.Dolby Surr. EXDolby Digital EXOOOOO2 DIGITALL, C, R

30、, SL, SR, S, LFE StereoDolby D (5.1ch)Dolby Digital 5.1OOO-O2 DIGITALL, C, R, SL, SR, LFE Dolby D (2ch)Multi Channel StereoOOOO-2 DIGITALL, R Dolby D (2ch Surr)Multi Channel StereoOOOO-2 DIGITAL , 2 SURROUNDL, R, S DTS-ESDTS-ESOOOOOdts, ESL, C, R, SL, SR, S, LFE DTS (5.1ch)DTS 5.1OOO-OdtsL, C, R, SL

31、, SR, LFE PCM (Audio)Multi Channel StereoOOOO-PCML, R AnalogMulti Channel StereoOOOO-ANALOG- 3 DTS was introduced in 1994 to provide 5.1 channels of discrete digital audio into home theater systems. DTS brings you premium quality discrete multichannel digital sound to both movies and music. DTS is a

32、 multichannel sound system designed to create full range digital sound reproduction. The no compromise DTS digital process sets the standard of quality for cinema sound by delivering an exact copy of the studio master recordings to neighborhood and home theaters. Now, every moviegoer can hear the so

33、und exactly as the moviemaker intended. DTS can be enjoyed in the home for either movies or music on of DVDs, LDs, and CDs. “DTS” and “DTS Digital Surround” are registered trademarks of Digital Theater Systems, Inc. The advantages of discrete multichannel systems over matrix are well known. But even

34、 in homes equipped for discrete multichannel, there remains a need for high-quality matrix decoding. This is because of the large library of matrix surround motion pictures available on disc and on VHS tape; and analog television broadcasts. The typical matrix decoder of today derives a center chann

35、el and a mono surround channel from two-channel matrix stereo material. It is better than a simple matrix in that it includes steering logic to improve separation, but because of its mono, band-limited surround it can be disappointing to users accustomed to discrete multichannel. Neo:6 offers severa

36、l important improvements as follow, Neo:6 provides up to six full-band channels of matrix decoding from stereo matrix material. Users with 6.1 and 5.1 systems will derive six and five separate channels, respectively, corresponding to the standard home-theater speaker layouts. Neo:6 technology allows

37、 various sound elements within a channel or channels to be steered separately, and in a way which follows naturally from the original presentation. Neo:6 offers a music mode to expand stereo nonmatrix recordings into the five- or six-channel layout, in a way which does not diminish the subtlety and

38、integrity of the original stereo recording. DTS-ES Extended Surround is a new multichannel digital signal format developed by Digital Theater Systems Inc. While offering high compatibility with the conventional DTS Digital Surround format, DTS-ES Extended Surround greatly improves the 360-degree sur

39、round impression and space expression thanks to further expanded surround signals. This format has been used professionally in movie theaters since 1999. In addition to the 5.1 surround channels (FL, FR, C, SL, SR and LFE), DTS-ES Extended Surround also offers the SB (Surround Back) channel for surr

40、ound playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different surround signal recording methods, as DTS-ES Discrete 6.1 and DTS-ES Matrix 6.1. “DTS”, “DTS-ES” and “Neo:6” are trademarks of Digital Theater Systems, Inc. The stereo CD is a 16-bit mediu

41、m with sampling at 44.1 kHz. Professional audio has been 20- or 24-bit for some time, and there is increasing interest in higher sampling rates both for recording and for delivery into the home. Greater bit depths provide extended dynamic range. Higher sampling rates allow wider frequency response a

42、nd the use of anti-alias and reconstruction filters with more favorable aural characteristics. DTS 96/24 allows for 5.1channel sound tracks to be encoded at a rate of 96kHz/24bits on DVD-Video titles. When DVD-video appeared, it became possible to deliver 24-bit, 96 kHz audio into the home, but only

43、 in two channels, and with serious limitations on picture. This capability has had little use. DVD-audio allows 96/24 in six channels, but a new player is needed, and only analog outputs are provided, necessitating the use of the D/A converters and analog electronics provided in the player. DTS 96/24 offers the following: 1.Sound quality transparent to the original 96/24 master. 2.Full backward compatibility with all existing decoders. (Existing decoders will