HarmanKardon-CitationII-pwr-sm 电路图 维修手册.pdf
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1、RadioFans.CN 收音机爱 好者资料库 RadioFans.CN 收音机爱 好者资料库 1 BASIC SPECIFICATIONS SUSTAINED POWER OUTPUT: 60 watts per channel. PEAK POWER OUTPUT: 130 watts per channel. HARMONIC DISTORTION: Less than 0.5%, 20- 20,000 cycles per second at 60 watts. Less than 0.1%, 20- 20,000 cycles per second at 20 watts. Unme
2、asurable at normal listening level. INTERMODULATION DISTORTION: Less than 0.5% at 60 watts. Less than 0.2% at 20 watts. Unmeasurable at normal listening level. FREQUENCY RESPONSE: 60 watts. 18- 40,000 cycles per second +0, -1.0 db. 20 watts. 12- 60,000 cycles per second +0, -1.0 db. 1 watt. 2- 80,00
3、0 cycles per second +0, -1.0 db. OUTPUT IMPEDANCE: 4, 8, and 16 ohms per channel. DAMPING FACTOR: Greater than 18. FEEDBACK Total 30 db. Achieved through multiple loops. HUM AND NOISE: Better than 90 db below 60 watts. POWER SUPPLY: Close B+ regulation through use of low Z silicon diode rectifier po
4、wer supply. SENSITIVITY: 1.5 volt RMS input for 60 watts. STABILITY: Unconditionally stable under any load. INPUT RECEPTACLES: One for each channel. One input for A.C. balance adjustment. CONVENIENCE RECEPTACLE: One A.C. convenience receptacle. CONTROLS: Four bias adjust controls. One for each outpu
5、t tube. Two A.C. balance controls. FUSE A.C. primary, externally accessible. CONSTRUCTION: Military terminal board construction with all components held to rigid tolerances. TUBE COMPLEMENT: Total 10 tubes, 5 semi-conductors. 6- 12BY7A pentodes; 4- KT88/6550 beam power pentodes, 4 silicon rectifier
6、diodes, and 1 selenium rectifier. POWER CONSUMPTION: 350 watts. DIMENSIONS: 16 wide x 9 high x 11 deep. WEIGHT: 60 lbs. FINISH: Charcoal brown and gold. RadioFans.CN 收音机爱 好者资料库 2 FEATURES Use of video output pentodes in all low level stages for exceptionally wide frequency response and low distortio
7、n. Output stage consists of two KT88/6550s per channel, conservatively operated in fixed bias, distributed load circuit. Multiple feedback loops for increased degree of usable feedback to greatly lower distortion without sacrificing stability. 30 db overall. Low internal impedance power supply consi
8、sts of 4 Silicon Rectifier Diodes, choke, and heavy duty electrolytics with potted power transformer for close regulation. Extended frequency response. Two octaves above and below the normal range of hearing for smooth, transparent sound. Absolute stability with any load! Output transformers designe
9、d specifically for this amplifier to exacting specifications. High power output at the extreme ends of the range enables the amplifier to effortlessly drive any of todays inefficient speakers at any power level. High power rating insures flawless, transparent reproduction at low listening levels. Mi
10、litary construction for neat and professional appearance. Bias meter to adjust individually the plate current of each KT88/6550 for proper balance and lowest distortion. This insures optimum performance even after aging of the output tubes. Unique packaging of components to facilitate identification
11、 and to reduce assembly time. Use of special glass resistors and heavy duty capacitors for long life and trouble free performance. All components are conservatively rated. 3 CITATION II CURVES 4 5 INTRODUCTION This new Citation basic amplifier kit represents the culmination of extensive research and
12、 experimentation in the technique of kit design. It is meant to satisfy the aspirations of those who insist on nothing short of perfection itself. The keynote is unparalleled performance and there has been no compromise made in the design of this magnificent instrument. Although the Citation II will
13、 perform satisfactorily with any high quality preamplifier, it is strongly recommended it be used with the Citation I or Citation IV stereo preamplifiers control center for optimum performance. The Citation I and IV match the superb frequency response and distortion specifications of the Citation II
14、 resulting in uncompromising performance. This instruction manual is written in simple, nontechnical language and if you will take the time to read it thoroughly before starting the actual construction of this kit, your work will be easier and far more accurate. Additional information may be obtaine
15、d by carefully studying the large fold-out diagrams supplied with this manual. These may be attached to the wall opposite your workbench for easy reference. After studying the manual, work slowly and carefully. After every ten or fifteen steps, go back over your work to check for possible errors. Th
16、is will insure proper construction and will afford you the feeling of satis- faction upon completing an amplifier that performs perfectly the first time it is connected. KEEP THIS INSTRUCTION MANUAL AVAILABLE AT ALL TIMES FOR IT CONTAINS IN- DISPENSABLE TECHNICAL AND SERVICE INFORMATION. TECHNICAL D
17、ESCRIPTION Extensive listening studies reveal that the behavior of a high fidelity amplifier several octaves above and below the normal range of human hearing distinctly colors the reproduced sound. It has been determined that an amplifier having a wide frequency response at useable power levels bel
18、ow 5 cycles has a tight and clearly defined low end, particularly in the 40-100 cycles region. A similar condition applies to the performance of an amplifier in the high frequency spectrum. If an am- plifier limits its high frequency response to slightly above the limit of audibility, it may have a
19、tendency toward strident reproduction and poor differentiation of instruments in the high overtones. Conversely, an amplifier which has a frequency response beyond 100,000 cycles without evidence of ringing or instability with reactive loads will offer clean, transparent tone qualities in the higher
20、 frequencies with excellent instrument separation. It is for this reason as well as other considerations that conventional power amplifier design has been by- passed in the general design concept of this basic amplifier. Current power amplifier design is based upon “single loop” feedback techniques,
21、 and linearization is ob- tained by overall feedback from the voice coil terminals to the cathode of the input tube. Stability problems limit this application to 20- 26 db of useable feedback, which represents a 101 to 201 reduction in distortion. Careful listening evaluation of amplifier performanc
22、e proves conclusively that extremely stable amplifiers with higher degrees of feedback provide a noticeable improvement in sound quality and a definite reduction in listening fatigue. This improvement can be attributed to lower harmonic and intermodulation distortion prod- ucts, more linear phase ch
23、aracteristics, and improved transient response. A “multiple loop” approach toward increasing the degree of useable feedback is the most logical approach to lower distortion without sacrificing stability. These “multiple loops” become additive if their ratio is adjusted to the relative degree of dist
24、ortion produced. Thus, if one stage has twice the distortion of another, it should have twice as much feedback around it. Experiment has shown that the equivalent of 30 db overall feedback is safely reached by this approach. It is essential to have a well regulated power supply in order to maintain
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